Kevin Smith Confirmed for Celebration VI

Add another guest to the growing list of CVI attendees. The Orlando Sentinal reports that director and Star Wars fan Kevin Smith will be present and will be holding his own panel on the first night of the convention.

Director-actor-podcaster Kevin Smith has never worked on an official “Star Wars” project, but he’s enthusiastically talked about the films enough to be added to the upcoming Star Wars Celebration at the Orange County Convention Center.

“An Evening with Kevin Smith,” a question-and-answer session on Aug. 23, will be his contribution to Celebration, a four-day fan gathering that also will feature Carrie Fisher,Anthony DanielsPeter MayhewSeth Green and other luminaries.

“I took my fandom of ‘Star Wars’ and kind of made it one of the cornerstones of what I do,” Smith said Thursday. Mentions of the films were worked into “Clerks” and “Mallrats,” two early Smith films.

You will need to purchase a separate ticket for the Q&A session, which will be held at 8PM.

(Via

New ‘Mercy Kill’ Mini Excerpt

Star Wars Books released another mini-excerpt from Aaron Allston’s upcoming X-Wing: Mercy Kill just a few moments ago. This one features old fan favorites Face and Piggy.

A young human woman in clothes styled to resemble a starfighter pilot’s jumpsuit and jacket but made of crinkly gold cloth, her hair a more striking and unnatural red than Face’s, bumped into Face, made a vague noise of apology, and hurried past, continuing onward toward the exit.

Voort scowled at Face. “I saw that.”

“Of course you did.”

“What did she slip you?”

Face reached into a suit coat pocket and drew out a datapad. It was small, its once-gleaming surface scratched and dull. “This. It’s wired to overheat and ignite in about three minutes.”

“Well, then, don’t hold it in your mouth.”

Mercy Kill is due to hit bookshelves on August 7th.

More Bad News for ‘The Old Republic’ Publisher Electronic Arts

While not directly related to The Old Republic, this bit of analysis by Games Industry is anything but good news for the floundering MMO. The stock trend for publisher Electronic Arts is not going in a good direction.

Electronic Arts’ stock has lost almost 40 per cent of its value since the start of this calendar year – and in fact, since the middle of last holiday season (around November 2011) the company’s stock has been in a steady decline which has now wiped close to 50 per cent off EA’s valuation. It’s not a decline as sharp as THQ’s, but it represents a much larger loss of value – THQ’s market capitalisation is only around $50 million, whereas even after this enormous loss of value, EA is still capitalised at around $4 billion.

Games Business put together a rather telling graph comparing EA’s performance to the NASDAQ index and another pair of publishers. It’s not pretty.

While Electronic Arts isn’t alone in the downward trend (Hello, Take Two Interactive), it’s not keeping up with one of its chief competitors in Activision-Blizzard. Worse, it’s not keeping pace with the NASDAQ composite index. But here’s the scary thing, see where the downward trend begins for EA? That’s right about when The Old Republic debuted, the most expensive undertaking in EA history. How much of TOR’s stumbles have fueled EA’s trouble isn’t fully known, but it certainly has contributed.

X-Wing Retrospective Part 3: The Krytos Trap

Quite honestly, I had forgotten how much I enjoyed The Krytos Trap.

Now don’t get me wrong, I’ve always known this book is quality. I just had it in my head for a long time that of this four-book arc, Wedge’s Gamble was my favorite of the bunch. That changed about two years ago when I went back and re-read through a bunch of my favorite Expanded Universe novels from the Bantam Spectra era. It had been a little while since I’d read through the X-Wing books* and my memory was a little fuzzy. Suffice to say, the third entry in the X-Wing series was significantly better than the already positive memory I had in my head.

*College. Instead I got to read fine literature like “Cybersecurity Ethics.”

(Head to the jump to continue reading)

Continue reading

Replace the Catsuit: Art Entry from Blizz

Reader Blizz sent in a piece of artwork (and functional diagram!) for our Replace Mara’s Catsuit Contest. I have to say, I’m really digging this entry.

I’ll let Blizz describe it for you:

You want practicality? I offer an outfit that I tried to keep compatible with novel descriptions, Star Wars paraphernalia, and basic Stormtrooper and Jedi equipment.

I kept some elements of her “canon” appearance. The belt and knee pads, for instance. I did away with the shoulder harness. Why, oh why, is Mara always portrayed with a shoulder harness with no holsters? What is the point? What does it do?

Anyway, I think this fits a balance of traveling light but being prepared. Thank you for your consideration.

Ink on paper.
Digitally colored using GIMP

Thanks for sending this in!

For more information about the contest and to view the other entries, head to the contest page.

Celebration VI Begs You To Stay To The Bitter End

Don’t look now, but the Celebration VI staff have announced … an announcement.

Mark your calendars now, and don’t miss the Closing Ceremonies at Celebration VI.

If you’re planning on going to Star Wars Celebration, there’s something really special planned on Sunday afternoon, August 26th that you definitely won’t want to miss! Make your plans now to stay at the biggest Star Wars Party in the galaxy, and see what’s in store for the Closing Ceremonies!

This special event is planned for Sunday, August 26th, from 2:30-3:30PM on the Celebration Stage (Chapin Theater). See you there!

Certainly this will end well, promises of something “really special.” It’s not like fans would ever over-speculate as to what that something special might be and wind up disappointed when it doesn’t live up to the delusions of grandeur that had in their heads. So you know what, I’m just going to set the bar at some absurd level right now.

Something special = a Star Wars reboot helmed by a geek dream team of Joss Whedon and Christopher Nolan. With J.J. Abrams serving as executive lensflare producer.

Karen Miller Discusses Being a Female Star Wars Writer

As a fandom, we’ve had plenty of reminders that there’s often a stark gender divide in Star Wars. Emily and I have sounded off on the topic in the past. It can be tough for female fans, but it’s just as tough (if not worse) for writers. Expanded Universe author Karen Miller sat down with Tor’s Liz Bourke to talk about that and other topics today.

The Star Wars fan audience, on the other hand, is overwhelmingly male. At least as far as I can tell. The vast majority of writers who do the tie-in novels are also male. There is a definite predominance of male voices and male POVs in Star Wars novels. And that makes a huge difference in the reception of the material.

Everything I write is grounded in character. Everything. It’s the people that make a story for me. So my Star Wars work is as much a character study or exploration as it is an action adventure romp. For some readers, that was brilliant. For others, it wasn’t. For a lot of Star Wars fans—the guys in particular—the story is about fighting and space battles and stuff like that. For them, that’s the whole point. For them, the intricacies of psychological investigation are boring and unwelcome. And I completely accept that. But it’s not what floats my starship—and I felt strongly that I can’t be the only one who is in love with the story because of the characters, not despite them. Or who wants to take a breath and spend some time with them as human beings, who wants to explore what makes them tick, the relationships between them, the strengths and fragilities they contain and share.

She is onto something there. It’s a big reason that things like Fate of the Jedi sell well while more intimate books in the same universe struggle to keep pace, despite the fact the former books aren’t as critically well received as the latter. Another key quote from this interview:

Looking at this, thinking about it, there’s a temptation to castigate the fandom as being unwelcoming to female writers and, by extension, female fans. And to an extent, I think that is the case, which breaks my heart. Some of the vitriol and virtual violence flung at Karen Traviss, for example, is horrific. Absolutely, there is a segment of the male fanbase that resents any incursion by a woman. But since that’s true on a wider societal scale, really, all that proves is that fandom is a microcosm of society.

Let’s just get the Traviss thing out of the way first. The only issue I take with this entire interview is that Miller misses the mark on why there was fan backlash towards Traviss. It was largely to do with Traviss’ professionalism towards fans and her employer, but in fairness to Miller, I have no doubts that there were a minority of fans that did take issue with her gender.

But the macro point Miller is making is spot-on. As a fandom, Star Wars hasn’t felt very welcoming towards female fans and authors. The mere suggestion that the EU creative staff needs to do a better job crafting and utilizing its female characters incited an over-the-top defensive firestorm from fans and necessitated a bunch of followup retorts to illustrate that, yes, there is a problem with how female fans, writers, and characters are treated (see the links above).*

*Required reading: John Scalzi’s post entitled “Straight White Male: The Lowest Difficulty Setting

What’s the takeaway here? I don’t know. When in doubt I usually go with the philosophers Bill and Ted. Just be excellent to each other, okay?  If what Miller said gets a knee-jerk, negative reaction from you, take a minute to analyze why that is. Nothing she’s said here is particularly inflammatory. They’re issues that we, as a fandom, need to discuss and take seriously.

Trope Tuesday: Ascended Extra

Status: Ascended

Welcome to another edition of Trope Tuesday, where we dive headfirst into the land of wasted productivity and tab explosions: TV Tropes. This week, we’re investigated a trope called The Ascended Extra.

A minor character who is given a greatly expanded role in the later part of the series, a new adaptation of a story, or in the Expanded Universe. It is usually safer to do this with an otherwise obscure character without much depth, since the likelihood of creating plot contradictions is lower. On the other hand, the character may or may not be allowed to have a huge effect on the plot depending on how much the writer is trying to follow source material. Can lead to some bizarre incongruities in planning (e.g. Overtook the MangaRestricted Expanded Universe). Sometimes the minor character becomes an Ascended Extra just so the writers can immediately turn them into a Sacrificial Lion.

This naturally occurs as a series goes on for long periods of time and useful for filler, technically not requiring you invent someone whole cloth. Be warned however that this character might be more liked by the fandom than the writers, who may have no compunction with getting rid of them when convenient.

This also happens somewhat regularly in Fan Fiction. Stories about a minor character who is given his own subplot (or prequel, sequel, or AU) seem to be ‘training wheels’ for writers who don’t quite trust themselves with original fiction yet and are re-using the setting, but basically making up new characters.

Happens a lot in fan fiction, eh? Let me tell you about the 600 pages of writing I’ve devoted to this character

But yes, the Ascended Extra is a trope that is absolutely vital to things like the Expanded Universe. Occasionally you need a familiar tie-in to the source material in the films, but squeezing Luke, Han, and Leia into yet another novel doesn’t quite fit the story. This is where authors might look for a minor character from the movies that they can bring to the forefront. You’ll see varying degrees of success. Sometimes the guy who says “stand by” when the Death Star is about to fire gets the Ascended Extra status, leading fans to scratch their heads in confusion and ask “Why?” Other times, however, the minor character becomes a key component of the Expanded Universe.

You’re probably aware that we’re doing a summer retrospective of the X-Wing books. This trope was practically built for it, folks. Take Wedge Antilles (you know, fighter pilot, survived three movies) and put him at the forefront of a nine-book series. Sounds like a terrible idea, right? Wrong. When the Ascended Extra trope is executed well and with the right character, an author can craft something that truly resonates with readers. There’s a reason Wedge Antilles, Hobbie Klivian, and Wes Janson are fan favorites in the Expanded Universe. It’s a combination of the familiar and new, characters that tie into established material but have enough room to be fleshed out they almost feel new to the universe.

Twelfth Batch of ‘EG to Warfare’ Endnotes: Endor, Ackbar, and Death by Yub Nub

Jason Fry is back with another set of endnotes from Essential Guide to Warfare. This set kicks off by addressing the size of the Emprie’s fleet used to defend the second Death Star at Endor:

Showdown in the Outer Rim: The makeup of the Imperial forces we see at the Battle of Endor in Return of the Jedi is one of the strongest arguments for the so-called minimalist point of view, discussed earlier in these endnotes. As far as the Galactic Civil War is concerned, Endor is the whole shooting match: Sidious has woven a trap meant to simultaneously destroy the Rebellion and turn the Jedi’s last hope into the Sith’s ultimate triumph. So why does Palpatine use only the Executor and a relatively paltry task force to pin the Rebels at Endor?

It’s a good question. Unless you want to wish away the entire EU (which you’re free to do, though please remember your humble author was not), it’s clear that the Empire has lots of Executor-class dreadnoughts, some number of battlecruisers and thousands and thousands of Imperial Star Destroyers. So why are the still-vulnerable Death Star II and the Emperor so poorly guarded?

Late in the writing of Warfare, I decided that question deserved an answer that would fit within the philosophical framework I’d worked out for the book. So here it is: Palpatine had two massive invasion fleets elsewhere, waiting for his signal to ravage Mon Calamari Space and Chandrila. And of course plenty of warships were needed to keep rebellious worlds pacified, guard the frontier against external menaces Sidious had known about for decades, and so forth. Throw in a bit of the usual mustache-twisting overconfidence that every villain’s master plan needs and I think the explanation seems plausible.

Fleet junkies will also enjoy a look at Mon Cal cruisers in this update as well as a look at the greatest military mind ever to emerge from that planet, Admiral Ackbar. Fry also takes some time to talk about the section of the book covering warfare with the most adorable little ravenous, bloodthirsty warriors.

To read the rest, visit Jason Fry’s Tumblr.