This first season of Star Wars Resistance has been a real slow burn–and in my opinion, that’s been the perfect way to introduce audiences to this show. As we watch the First Order begin to creep across the galaxy, the show responds by increasing the tension and getting darker, more ominous. This week’s episode, “The New Trooper,” is a perfect example of Resistance cranking up the atmospheric dread as we get closer and closer to the destruction of the Hosnian system. Continue reading
Author Archives: Kate
Resistance Review: Bibo
Hey, is this thing on? Oh, good–because Star Wars Resistance is back after its mid-season hiatus with a delightful little episode called “Bibo.”
Longtime Lucasfilm animation fans know that it’s just not a Star Wars cartoon without at least one creature-centered episode, and “Bibo” fits that bill with relish, while hinting at exciting things to come.
Resistance Review: The Platform Classic
Guess which Tosche Station writer is grounded for forgetting to write this review last week, when “The Platform Classic” actually aired? This girl! But before I go to my room, here are my belated thoughts on this emotional and surprisingly dark episode of Star Wars Resistance.
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Resistance Review: The High Tower
Star Wars Resistance considerably raises the stakes for Kaz–and the citizens of the Colossus–in its latest episode, “The High Tower.”
Although Kaz still has a lot to learn about spying, and his technique could certainly use a little work, he finally uncovers the First Order’s nefarious plans for the station when he’s invited into Captain Doza’s tower.
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The Most Dangerous Game? Reading Jay Schiffman’s Game of the Gods
A judge who has lost faith in his government. An uneasy global political climate. A world on the brink of all-out war.
Jay Schiffman’s debut novel, Game of the Gods, has all the ingredients to be the action-packed, sci-fi political thriller for our times. Wrestling with huge, fascinating themes, the story pits religion against science, individual against country, and one man against a prediction that he will destroy the world.
In the Earth’s far future, Max Cone is the High Judge of the Federacy, one of the nations carved out of the post-apocalyptic wasteland that was once North America. A former war hero and current arbiter of Federacy citizenship, Max is renowned for, well, being a really good guy–honest, responsible, and strong of both body and morals. All of his best qualities are tested, however, when he is drawn into a global conflict in the most personal way possible: His family is kidnapped by foreign government, propelling him on a revenge tour that takes him through nations run by rogue military factions, independent cartels, and a mysterious pope-like figure who is not as holy as he seems. Continue reading
Everything You Fear to Lose: Remembering Star Wars: Rebels
1. Spark of Rebellion
“We should watch Star Wars Rebels.”
“Hmm.” I don’t look up from my phone. I’m scrolling through Twitter, words and images rolling along without my registering them.
My then-fiancé, now-husband, has made some variation on this request several times in the past few months. It’s 2016, somewhere during the hiatus betweens seasons 2 and 3, and the Star Wars renaissance is building momentum after the enthusiastic response to The Force Awakens and the curiosity surrounding the yet-to-be-released Rogue One. It’s before the election that changes everything, before Carrie Fisher’s death, before my Leia tattoo, before we start our podcast, before, before–
And my greatest problem, in that moment, is that I don’t know how to tell him that I’m not quite ready to let go of The Clone Wars, which we’ve recently binged on Netflix, not ready to make room in my heart for the Ghost crew’s stories yet. I don’t know how to say it because it sounds stupid. What sounds even worse is that I still smart when I think about Ahsoka leaving the order, or Fives’s death, or Obi-Wan’s loss of Satine. Continue reading
Who Makes Our Myths? On the Unbearable Whiteness of Star Wars
Almost forty years ago, Lando Calrissian appeared in Star Wars, immediately becoming, as Donald Glover recently put it, “the only black guy in the universe.” Since then, a number of actors of color have joined Billy Dee Williams’s iconic character in the galaxy far, far away, including Temuera Morrison and Daniel Logan of the prequel trilogy, the incredibly diverse ensemble cast of 2016’s Rogue One, three of the starring actors in the sequel trilogy, and of course, Glover himself as young Lando in the upcoming Solo, for which he will be joined by Thandie Newton. As we celebrate these victories, however, it quickly becomes clear that Lucasfilm has only recently fielded casts that don’t merely feature token actors of color; white, male actors still make up the vast majority of the Star Wars universe. And behind the camera, those who have helmed the franchise’s films are overwhelmingly white and male.
It has almost become a truism that to tell diverse stories, the creators of those stories must be diverse, too–but it’s a concept that’s proven by fact. One needs only to look at recent films directed by people of color to find proof that these movies feature more diverse casts: Creed, Life of Pi, and the upcoming A Wrinkle in Time. Directors of color find it imperative to tell stories starring people who look like them in a way that white directors simply don’t. If white creators found diversity at the forefront of their minds, then we would have had racial parity on screen a long time ago. Continue reading