Review: Doctor Aphra by Sarah Kuhn

There’s a line in Kieron Gillen and Salvador Larroca’s original run on Darth Vader that has stayed with me ever since I read it. It’s Aphra looking up at Vader as she agrees to work with him. “But you’re my next mission, aren’t you?” she says. “And the next. And the next. You’re what I’ve been looking for all my life.” It’s a line that also appears in the audio drama and one that rang through my mind as I heard Darth Freaking Vader say “Doctor Aphra” for the first time because apparently that’s what I’ve been waiting for all my life.

I won’t pretend to approach Doctor Aphra, a Star Wars audiobook original by Sarah Kuhn, from an unbiased point of view. If you’ve ever seen any of my tweets or any of the relevant reviews here at Tosche Station, you’re likely aware of how much I love Aphra. Not only do I adore her as a character but she also means a ton to me as a half-Asian queer woman. She was one of the first times I can recall feeling truly represented within the Star Wars universe. So while I was predisposed to appreciate this story because I love the main character, my expectations were also absurdly high. Sarah Kuhn not only met those expectations but soared over them with an audio drama that’s fun and engaging and does everyone’s favorite rogue archaeologist justice. Continue reading

REVIEW: Resistance Reborn (Audiobook)

Audiobooks aren’t my usual means by which to consume media but when presented with the opportunity to get an early copy of Rebecca Roanhorse’s newest gift to the Star Wars universe, I jumped at the chance. In fact, my response to the possibility was just the word “WANT” in all caps in response to the offer.

I am happy to report this book did not disappoint.

It was, indeed, a gift. But maybe not one I should have turned on while driving in Seattle rush hour. Continue reading

Review: Cobalt Squadron

If you came out of The Last Jedi hoping to learn more about Paige or Rose Tico, Cobalt Squadron by Elizabeth Wein, is likely the book you’ll gravitate towards. While on a mission, Paige and Rose’s ship is boarded by a smaller one crewed by two people with a desperate mission. Their planet is ruled by and treated poorly by the First Order and they fear that their people might die if the New Republic doesn’t find a way to aide them. Knowing there’s little the Senate will do, General Organa tasks Cobalt Squadron with seeing while they can do… all while, elsewhere in the galaxy, Starkiller Base is rapidly approaching completion. Continue reading

Review: Battlefront II: Inferno Squad (audiobook)

What are the ethics involved in humanizing the Empire? Does Star Wars need to be a more nuanced universe, or are the black-and-white morals of the original and prequel trilogies preferable? And is now the right moment for that nuance? These were the questions that plagued me as I listened to the latest Star Wars novel: Christie Golden’s Battlefront II tie-in, Inferno Squad.

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Review: Rebel Rising (audiobook)

Beth Revis had a tough job in writing Rebel Rising, the YA novel chronicling the life of Jyn Erso prior to the main narrative of Rogue One. She not only needed to craft an engaging and exciting story, one that fit into the ever-widening new canon of the Star Wars universe, but she also needed to create a character arc for Jyn herself which both ended with Jyn being an angry, sullen, bitter person who wanted nothing to do with the Rebel Alliance (or, really, anyone or anything), but which at the same time was narratively satisfying. How do you craft a character arc that ends with the Jyn Erso we meet at the beginning of Rogue One and not have the entire thing feel like a let-down and a bummer, or like anything more than an extended prologue to the film? Can you even do such a thing?

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Review: Thrawn (audiobook)

If you’ve listened to the Thrawncast, you know that I’m a big fan both of the character Thrawn and of Timothy Zahn’s writing in general. It was like Christmas when it was announced that not only would Thrawn be coming to Rebels, but that Timothy Zahn would be returning to the world of Star Wars literature to write a new novel featuring everyone’s favorite Chiss.

It’s a year later now, and, here at Tosche Station, at least, we’ve all been pretty happy with Thrawn’s portrayal on-screen in Rebels. How, then, does Timothy Zahn’s new novel Thrawn hold up? Is the magic still there? Is Zahn’s re-introduction of Thrawn to the Star Wars canon awkward, or hindered by trying to fit him into existing continuity? And how does the audiobook — narrated by Mark Thompson, the same performer who recorded the first unabridged audiobooks of the original Thrawn trilogy — represent Zahn’s characters and story? Continue reading

Review: Aftermath: Empire’s End (Audiobook)

At long last, the trilogy that began with Aftermath, the flagship title in Lucasfilm’s Journey to Star Wars: The Force Awakens publishing endeavor (man, remember that?) has come to its conclusion. By now, no doubt many of you have already voraciously consumed Chuck Wendig’s novel Empire’s End, but for those of you waiting to hear what the audiobook version narrated by Marc Thompson has on offer, I’ve got you covered. 

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Review: Rogue One: A Star Wars Story (audiobook novelization)

Film novelizations are, in their own way, just as tricky a needle to thread as film adaptations of novels. You’re taking someone else’s words and ideas, meant for one medium, and transposing them to another, hopefully doing them justice while at the same time adjusting and adapting them to fit the new medium. At their best, film novelizations can open up the world of the movie considerably, adding more scenes and characters and background information which couldn’t possibly be crammed into a two or even three-hour movie. At their worst, they’re a limp, lifeless transposition of the screenplay, lacking any of the energy or vitality which made the film entertaining. The Vonda N. McIntyre novelizations of Star Trek 2 – 4, or Peter David’s adaptation of The Rocketeer, are examples of the former; the Alan Dean Foster adaptation of The Force Awakens, the latter.

So where does Rogue One’s novelization fall? Somewhere in between. It doesn’t wildly expand the scope of the film, but it fills in just enough gaps in characterization and plot to make it, I’m shocked to report, the first novelization I’ve ever read that I enjoyed more than the film it was based on. Continue reading

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Review: Catalyst (audiobook)

We’re less than a month out from Rogue One and discovering just what a non-Saga, “anthology” Star Wars film looks like. Lucasfilm seems to be dipping its toe in the non-Saga pool gently, giving us a story — the theft of the plans to the first Death Star — separate from but still intrinsically linked to the original Star Wars film. In the meantime, to whet our appetites and give us some backstory for the characters we’ll meet in the film, Legends and Tarkin alum James Luceno has brought us Catalyst, the story of Galen Erso and Orson Krennic (Mads Mikkelsen and Ben Mendelsohn in the film, respectively) and how their unlikely friendship led to the development of the galaxy’s most powerful weapon.

Random House has consistently released audiobook versions of the novels in the new canon, and Catalyst is no exception. Catalyst is performed by Jonathan Davis — not the lead singer of Korn, but the veteran of more than four hundred(!) audiobook recordings, over of thirty of which were under the Star Wars banner.

So, how does Catalyst work — as a stand-alone novel, as a film prelude, and as an audiobook production? Read on to find out! Continue reading

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Review: The Dispatcher, by John Scalzi (audiobook)

John Scalzi is a busy guy. In between writing novels, winning Hugo awards for said novels, and extolling the virtues of churros on Twitter, he’s managed to write a short story called “The Dispatcher,” which, as read by Star Trek’s Zachary Quinto, was released earlier this month as an  Audible exclusive, for free. The audio story will remain free until November 2, so we thought we’d give it a listen and let you know if it’s worth your time.

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