Review: Darth Vader #2

How do you follow up a solidly good first issue that teased at plenty of future plot points? By focusing the second issue on just one of them. Darth Vader #2 by Kieron Gillen and Salvador Larroca is out today in which the creative team does precisely that. After the disaster of the Death Star’s destruction, Vader is in disgrace and now must follow the commands of Grand General Tagge as a part of the grand plan to strike back against the Rebellion… one corvette at a time. (Spoiler Alert: Vader does NOT win Coruscant’s Next Top Model in this issue. Sorry.)

Surprisingly, this series is turning out to be very character driven which is something I wouldn’t necessarily expect from a book about Darth Vader. As proven with the previous issue, Gillen definitely knows what he’s doing with Vader but the character that really stood out to me in this issue was Tagge. (That’s Grand General, by the way, not just General.) With the exception of Palpatine, it floors me that anyone in the Empire would have the balls to speak to someone as imposing as Darth Vader like Tagge did. If you thought how Tarkin acted in A New Hope was impressive… just read issue #2. This is a characterization that seems like it will pay off further down the line along perhaps before Vader discovers more about the Rebel pilot’s identity…

On the art front, Larroca continues to draw a pretty darn good Vader. He’s got a great eye for detail that translates to not just the iconic costume but also to things like holograms or distant ships through a viewport. Also, I’m not sure who’s having more fun with all these explosions: Gillen writing them or Larroca drawing and Edgar Delgado coloring them. Artistically speaking, having Larroca on interior art and Adi Granov on covers is a winning combination for this book.

Can we start spelling poor Kieron Gillen’s name right in the opening credits though?  This is two issues in a row now where they’ve gotten it wrong.

Darth Vader #2 is another solid showing from the creative team and I’m definitely excited for the next issue.

Spider-Man to Appear in Marvel Cinematic Universe While 4 Marvel Release Dates are Pushed Back

spider-man newspaperSony and Marvel Studios have formed a Spidey-based partnership, according to Marvel’s official site:

Under the deal, the new Spider-Man will first appear in a Marvel film from Marvel’s Cinematic Universe (MCU). Sony Pictures will thereafter release the next installment of its $4 billion Spider-Man franchise, on July 28, 2017, in a film that will be co-produced by Kevin Feige and his expert team at Marvel and Amy Pascal, who oversaw the franchise launch for the studio 13 years ago. Together, they will collaborate on a new creative direction for the web slinger. Sony Pictures will continue to finance, distribute, own and have final creative control of the Spider-Man films.

Notably, the release refers to the character as “Spider-Man” rather than “Peter Parker,” with one exception:

“Sony Pictures and Marvel Studios share a love for the characters in the Spider-Man universe and have a long, successful history of working together. This new level of collaboration is the perfect way to take Peter Parker’s story into the future,” added Doug Belgrad, president, Sony Pictures Entertainment Motion Picture Group.

While Belgrad doesn’t explicitly state that Peter and Spidey are one-and-the-same in this case, it is implied. If they are indeed the same, it will be the second film reboot of Peter Parker as Spider-Man in less than five years and the third film version of the character in less than fifteen. I’d find a film starring Mile Morales, the current Spider-Man in Marvel’s Ultimate comics universe, to be a breath of fresh air, but if don’t get to have that, perhaps they’ll at least get more creative with Spidey’s casting this time and choose an actor who isn’t white.

In addition to the news that they and Sony will be working together on Spider-Man, Marvel has pushed back the release dates of four previously announced films, possibly to give the new Spider-Man film some space. Thor: Ragnarok, previously scheduled for July 2017, will now be released on what had previously been Black Panther‘s release date of November 3, 2017, Black Panther will now come out on Captain Marvel‘s old release date of July 6, 2018, Captain Marvel is getting Inhumans‘ previous date of November 2, 2018, and Inhumans will now be released on July 12, 2019. You can read Marvel’s full announcement on the moved release dates here.

Review: Darth Vader #1

The Second Marvel Era continues on Wednesday with the release of Darth Vader #1 by Kieron Gillen with art by Salvador Larroca. Gillen leaves no time for readers to wonder “Well what happened when—” as this ongoing Vader story picks up not just shortly after the Battle of Yavin but directly from the pages of Star Wars #2. Long time Star Wars comic readers have seen Vader on the page plenty of times but how does Gillen handle one of the most iconic bad guys?

One of the neatest things about the Lucasfilm Story Group is that it’s giving readers experiences like this and rewarding those who swing by their local comic store every week. Again, this book ties in directly with the first two issues of Star Wars and yet provides enough context that a reader wouldn’t be lost if they hadn’t read the other book. That said, Gillen’s certainly telling his own story here. He’s writing a Vader who’s definitely a man in the doghouse with the Emperor and who needs to solve the mystery of the Rebel pilot. He’s also writing a story that takes into account the galactic political ramifications of the Death Star’s destruction, something that I hope continues in future issues.

It’s difficult to discuss the storyline without delving into spoiler territory. Gillen doesn’t have the same cliffhanger flair as his fellow Star Wars writer Jason Aaron but he does leave enough hints throughout the pages to keep readers intrigued. I didn’t find this to be the strongest #1 especially in the wake of some other books that Marvel’s released recently but I definitely enjoyed it. Regardless, I’m interested to see where Gillen takes this story and whether or not Vader will continue to weave in and out of the main book especially once he discovers Luke’s identity. I’m also interested to see whether Palpatine continues to play a role in the book and whether it will expand.

On the art front, I really enjoyed Larroca’s work and have been a fan of his ever since his work on Invincible Iron Man. Having to routinely draw an outfit like Darth Vader’s isn’t the easiest of tasks (Iron Man must’ve been good practice.) but he does it well. Larroca also draws a particularly great Emperor Palpatine   Edgar Delgado’s colors are a nice compliment to Larroca’s lines. Another highlight of the book is when Gillen’s writing steps back and lets Larroca’s work do the storytelling on its own for several pages. Clearly this is a writer/artist team that collaborates well together.

Darth Vader #1 is a solid start for the Sith Lord’s ongoing series and gets a recommendation from us. You can preorder the comic from Marvel here for its release on February 11th.

Thank you to Marvel for providing us with a copy of the issue in advanced for review purposes.

Review: Star Wars #2

Mere weeks after their first issue hit comic store shelves, Jason Aaron and John Cassaday are back with the second issue of the brand new headline Star Wars series. An all-around well-received first issue can be a tough act to follow. Expectations are high so how does Issue #2 stand up?

When last we left our heroes, Luke Skywalker found himself facing off against Darth Vader while Han and Leia were doing their best to find their way out of the weapons factory on Cymoon 1 with all the rescued slaves. It’s a task easier said than done especially since Luke’s training as a Jedi has barely begun much less prepared him to face off against a Sith Lord.

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Review: Star Wars #1

StarWars_Cassaday1

The era of Star Wars Marvel has begun (okay; returned) and they’re leaping forth from the gate with blasters blazing. Star Wars #1 by Jason Aaron and with art by John Cassaday comes out on Wednesday, January 14th and picks up shortly after A New Hope. The question of the day though isn’t “Will our heroes survive?” but rather “How does this new series hold up?” and it is in response to that question that I have some good news for Star Wars fans.

Right from the start, Aaron and Cassaday make the book feel like Original Trilogy Star Wars. (Let me suggest queuing up the main title as you open the book. It put a huge smile on my face as I began to read.) This gives readers a chance to pick up a book that can be enjoyed whether they’ve only watched the films or if they obsessively read every Legends story. It’s also clear from the get-go that this is a labor of love from all involved. The basic premise of the story is something that will feel familiar to Star Wars readers (Rebels have a chance to move against the Empire and Han somehow gets roped into helping) but Jason Aaron writes in a way that will keep readers intrigued and flipping the page for more. He also strikes a nice balance between action and non-action scenes and knows the right moment to interject a bit of levity, something that’s crucial when it comes to Star Wars.

Another strength of the book is that Aaron certainly has a great grasp on all of the main characters. At times, it was difficult to NOT hear the actors’ voices inside my head reading the lines. I was particularly happy with his portrayal of Leia especially since he didn’t fall back on the Action Girl ™ method like some writers have in the past. Even Luke seems to be pretty spot on during this odd transitional phase from farmboy to Jedi Rebel.

Cassaday’s artwork on the book is solid as expected. My only issue was with one very fast costume change between pages. In the interest of staying spoiler free, I’ll leave it there but it just felt rather abrupt especially on the first read through. For those familiar with his art, Cassaday’s usual facial expressions are in full force here which, when you’re drawing Leia Organa dealing with Han Solo, are perfect. Cassaday also has a neat way of drawing lightsaber action which I haven’t previously seen in a Star Wars comic. And, of course, we the internet will be forever grateful to him for the panel of Leia punching an Imperial panel that made its way on line several weeks ago. That alone is worth the cost of admission.

Overall, this first oversized issue does a great job of setting the stage and establishing how this comic series will go. Within moments of finishing reading it, I immediately wanted the next one. I’m extremely interested to see how the first arc progresses and then where Jason Aaron takes the story beyond that.  For me, that will be the real deciding factor about how much I’ll ultimately enjoy the series but they are certainly off to a good start.

I give Star Wars #1 a 4/5 along with a recommendation to go pick it up. You can pick up a copy of Star Wars #1 from your local comic store or online here from Marvel.

Thank you to Marvel for providing us with an advanced copy of the comic for review purposes.

All-Ages Comics With Queer Representation: Some Recommendations

Character and/or relationship spoilers for several comics and one recently concluded animated series lay below. Be warned.

There is a severe lack of queer representation in children’s media, as the surprise and discussion caused by the recent finale to the animated series Avatar: The Legend of Korra illustrates. It is sadly rare to find a character who falls outside the heterosexual cisgender mold at all, much less one who is both a major character and respectfully portrayed. Seeing oneself reflected in one’s culture is always important, but in childhood and adolescence people are already struggling to find identity and to figure out how they relate to the world.

Fortunately, things are improving, if slowly. An increasing number of all-ages and young adult comics, for instance, predominately feature queer characters. Here are three really great ones.

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The Importance of She-Hulk and What the Jedi Could Learn From Her

she-hulk 1Not long ago it was revealed that the current She-Hulk comic series will come to an end with issue 12. It was a sad day, not only because the book is fantastic, but also because the character has something very important:

She-Hulk has a life.

She has friends and a career and a commute to work and a bar she hangs out at and she has all of these things while still continuing to be undeniably She-Hulk.

She-Hulk, AKA Jennifer Walters, attorney-at-law, is close to my heart for all kinds of reasons, but what makes her stand out, other than being tall and green, is that she continues on with normal, everyday things while existing outside of the expected. She falls outside of the perceived norm but she refuses to let that define her. She is tall and she is strong and she is green and she continues to be tall and strong and green in everyday life, when she’s at her day job or getting drinks after work or meeting friends for coffee.

She-Hulk is clearly different from the way people are expected to be and is perceived by many as abnormal and intimidating, but she continues to live and work alongside the un-superpowered members of society. She does not let the parts of herself that are considered divergent from the perceived norm alienate her and she does not hide them. She embraces them and continues on with her life and I think that that is incredibly important.

She-Hulk is different, she embraces that, and she does not let that define her.

This is not something you see a lot in superhero comics and that is a huge shame. It’s a missed opportunity, both because it can be extremely comforting and inspiring to see characters like that and also because it makes a lot of sense from a setting standpoint.

In worlds like the Marvel or DC universes, there is a sizable population of people with superpowers. The idea that no one would incorporate their powers into their everyday life or that no one with superpowers would continue to have a life beyond that while still displaying their superpowered nature is, frankly, ridiculous. And yet you rarely see someone with superpowers have a life beyond superheroic or supervillainous antics unless they’re hiding their powers or are someone whose “everyday” life is already far outside of what anyone would consider ordinary, like an eccentric billionaire inventor. The few exceptions to this are people like Carol Danvers, AKA Captain Marvel, who is superpowered and can demolish buildings with her fists, yes, but still appears to be a typical human. Carol Danvers walking down the street looks like just another person walking down the street; Jennifer Walters walking down the street is a giant green woman. That she is different is noticeable, whether or not you know who she is.

she-hulk in courtThere’s also character and storytelling potential in giving characters lives outside of superpowered antics. By doing so, there’s a greater variety of kinds of stories you can tell. She-Hulk incorporates her superpowered status into her work as a lawyer, often working on superhuman related cases with the unique understanding of someone who is, herself, a superhuman and she’s able to pursue dangerous leads and accept dangerous cases that a lawyer without her superhuman toughness wouldn’t be able to.

And, of course, there’s also the added benefit of being able to work skills and interests from a character’s daily life into their superpowered antics, something you see some of from characters with secret identities as well, but for the most part there’s a very small range of careers that superpowered individuals have. For every Barbara Gordan, using her librarian skills to aid in her crime-fighting as Batgirl and later as Oracle, there are how many genius scientists? Incorporating careers with less obvious applications for heroics into the story is interesting and adds variety to the stories themselves.

This is where the Jedi come in.

Back in the Olden Days of the Star Wars Legends books, before Episode I was released and changed everything forever, Jedi were allowed to have lives beyond simply being Jedi. Some were Jedi full-time but there others who maintained careers and families.

Then the prequel trilogy came along and presented a different kind of Jedi Order, one in which all of its members live entirely as Jedi and as nothing else. They live in the Jedi Temple with other Jedi, travel to do Jedi things on the orders of the Jedi council, and are not permitted careers or families so that they may remain wholly dedicated to the Order. They can leave the order, but they are chosen to be inducted into it as small children and are raised their whole lives to be Jedi and nothing else. There are no part-time Jedi. There are no people living their lives where they chose and then acting independently as Jedi when they see the need. There seem to be a few more specialized Jedi, but their role is clearly to support the other Jedi.

The old Jedi Order lived apart from the galaxy it served, separating itself so that its members could devote the entirety of their lives to being Jedi.

While I can understand why the old Order went in this direction, I feel like the new Order should be a bit more like She-Hulk. Even beyond the clear problems that come with separating yourself like the old Order did (please note how the Emperor was able to create a demonizing fiction about them and how they no longer exist), image the storytelling possibilities. Imagine people with great Force abilities, being trained in the Force and working to serve the galaxy with it, but having lives and careers beyond that. Imagine Jedi pilots, Jedi relief workers, Jedi construction workers, using their Force abilities while participating in the world around them, in addition to full-time Jedi knights.

Imagine Jedi navigating what it means to be Jedi in their everyday life.

Imagine Jedi embracing that which makes them stand out from the norm while not letting it alienate them from the galaxy.

If the new Jedi are once again separated, like the old Order was, it won’t be worst thing. But there’s so much potential for so many stories in which Jedi go about being Jedi in different ways and using different skill sets. I would love to see that potential used.

NYCC 2014: Marvel Announces Star Wars: Kanan – The Last Padawan

Kanan TLP1We knew that Marvel was unlikely to limit themselves to just three Star Wars titles in 2015 and today that suspicion was confirmed at New York Comic Con during the Cup O’ Joe panel.  Marvel announced a new series titled ‘Kanan: The Last Padawan’ written by Greg Weisman with art by Pepe Larraz.  The book will begin in April 2015 and solves the mystery of what Weisman is doing with Star Wars despite not being involved with Season 2 of Rebels.

The comic will help fill in the gaps in regards to Kanan’s background as a Jedi Padawan and go into his relationship with Master Depa Billaba.

You can read Weisman’s interview with Marvel about the book here.