Joss Whedon Returning for ‘Avengers 2’ and … A TV Series!?

Sitting down? Good. Brace yourself. Marc Graser with Variety just dropped this bombshell from Disney:

First off, great news that Avengers 2 will keep on running with Joss at the helm. Second, Joss heading back to TV? Be still my beating fandom heart!

This sounds like it’s the TV show that was rumored to be in the works last week. While it wouldn’t feature any of the current Avengers (because wow that would be an expensive TV series), it looks like it’s going to feature Joss Whedon’s flair for episodic television. Perhaps S.H.I.E.L.D the television series? Given that this is Joss, I’m holding out hope for something featuring Carol Danvers.

(via)

It’s Official: ‘The Hobbit’ Will Be A Trilogy

There have been rumblings for a while now, but it appears to be official. The Hobbit will be split into three films. Peter Jackson made the confirmation on his Facebook page a little earlier today.

It is only at the end of a shoot that you finally get the chance to sit down and have a look at the film you have made. Recently Fran, Phil and I did just this when we watched for the first time an early cut of the first movie – and a large chunk of the second. We were really pleased with the way the story was coming together, in particular, the strength of the characters and the cast who have brought them to life.  All of which gave rise to a simple question: do we take this chance to tell more of the tale? And the answer from our perspective as the filmmakers, and as fans, was an unreserved ‘yes.’

We know how much of the story of Bilbo Baggins, the Wizard Gandalf, the Dwarves of Erebor, the rise of the Necromancer, and the Battle of Dol Guldur will remain untold if we do not take this chance.  The richness of the story of The Hobbit, as well as some of the related material in the appendices of The Lord of the Rings, allows us to tell the full story of the adventures of Bilbo Baggins and the part he played in the sometimes dangerous, but at all times exciting, history of Middle-earth.

So, without further ado and on behalf of New Line Cinema, Warner Bros. Pictures, Metro-Goldwyn-Mayer, Wingnut Films, and the entire cast and crew of “The Hobbit” films, I’d like to announce that two films will become three.

It has been an unexpected journey indeed, and in the words of Professor Tolkien himself, “a tale that grew in the telling.”

Cheers,

Peter J

Who’s excited?

(Via)

Jena Malone Joins the Catching Fire Cast

It’s official: Lionsgate announced this morning that Jena Malone, known for her roles in Saved! and Sucker Punch, has joined the cast of The Hunger Games: Catching Fire, the second part trilogy, as Johanna Mason. Some of you may know Malone from her role as young Ellie Arroway in Contact, one of my favorite movies ever.

(spoilers after the jump)

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We Dreamed a Dream!

And it is nearly a reality!

Cameron Macintosh has released the first trailer for the upcoming film adaptation of the Broadway musical Les Miserables. Those of you who listen to the podcast know that this is my most-anticipated movie of the year – yes, even above The Hunger Games and Prometheus and all those other movies everyone else is freaking out about. You see, I was a drama nerd in high school, and thanks to my teacher, I fell in love with this musical. I’ve seen it five or six times, and I’ve always wanted to see it turned into a film. (The version with Liam Neeson just did not do it for me.) Also, the idea that Hugh Jackman, one of my favorite actors, is playing the role of Jean Valjean fills me with absolute glee.

The trailer features Anne Hathaway’s version of “I Dreamed a Dream,” and, let me tell you, I got chills. Chills, people. I’m not a huge fan of Fantine (Eponine is my favorite character by far, with my favorite song of the show being “On My Own”), and I wondered how well Anne would portray the role, but now I’m completely convinced. And everything else looks absolutely amazing – the scenery, the costumes, the actors. Man, I cannot wait for this movie. Is it Christmas yet???

 (Thanks to the Big Shiny Girlcast for the link!)

Natasha Romanoff Is Better Than You

There’s a scene in The Avengers where Black Widow is fighting Hawkeye. He’s being mindcontrolled by Loki and is trying to kill her; she just wants to incapacitate him. A few minutes before this fight scene, she hurt her ankle and was visibly limping when she was fleeing the Hulk. She volunteered to go after Hawkeye, despite being understandably shaken by her encounter, and the fact that she and Hawkeye clearly have an emotional bond.

Oh, and the fight? She won. And she didn’t win because Hawkeye was distracted or something happened that got his attention or he was wounded from a previous scuffle. She won because she’s better. There was no reason for her not to—Hawkeye is an archer, not a hand-to-hand expert. If it had been a contest of marksmanship, he would have won, and rightly so. But it wasn’t, and she won by simply being a better fighter.

The best part, though, was probably when he looked up at her, after being hit in the head, and said “Tasha?” A lot of people would have stopped fighting then—I probably would have done—but Natasha Romanoff is a trained spy, and she just clocks him in the head again. It’s the choice of someone whose job is to be suspicious of other people, regardless of what they might mean to her.

This sums up a huge part of why I love Black Widow—Natasha Romanoff—so much: she is a professional and she acts like one.

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Avengers Sinks Universal’s Battleship

(Shane insisted we use that title)

Marvel’s The Avengers is still flying high at the box office, claiming the top spot for a third straight week and smashing all challengers into a fine pulp. This week, it seems, it didn’t have to work very hard.

Rotten buzz and superheroic competition sunk Universal’s “Battleship” over the weekend. Costing over $300 million to make and market, Peter Berg’s “Battleship” managed to sell about $25.4 million in tickets in its first weekend in North American theaters – a second-place finish behind “Marvel’s The Avengers” (Disney), which took in an estimated $55 million for a three-week domestic total of $457 million.

While it’s been a year of incredible blockbuster successes (Hunger Games, Avengers), it’s also been a year of embarrassing flops. Battleship joins John Carter as an expensive film that has not only stumbled, but faceplanted and rolled straight off a cliff in its domestic opening. At least John Carter can claim horrific marketing as part of its problem, though it was still a mediocre film. Battleship was marketed heavily to court the summer popcorn crowd. Unfortunately, moviegoers decided that they would rather see the eye-popping and well-written Avengers for a second or third time rather than another critically panned film based off of a Hasbro product.

Joss Whedon Sits Down With Fansite, Thanks Fans and Answers Questions

It’s been a long road for Joss Whedon, but with the Avengers blowing up the box office, it seems like he’s finally achieved the mainstream recognition fans have long thought he’s deserved. To thank his long-time fans, he did a Q&A with fansite Whedonesque and opened it with a letter.

Dear Friends,

Well, it’s been quite a weekend. Someday, long from now, I will even have an emotional reaction to it, like a person would. I can’t wait! But before I become blinded by this “emotion” experience, there’s a few things I’d like to say. Well, type.

People have told me that this matters, that my life is about to change. I am sure that is true. And change is good — change is exciting. I think — not to jinx it — that I may finally be recognized at Comiccon. Imagine! Also, with my percentage of “the Avengers” gross, I can afford to buy… [gets call from agent. Weeps manfully. Resumes typing.] …a fine meal. But REALLY fine, with truffles and s#!+. And I can get a studio to finance my dream project, the reboot of “Air Bud” that we all feel is so long overdue. (He could play Jai Alai! Think of the emotional ramifications of JAI ALAI!!!!)

What doesn’t change is anything that matters. What doesn’t change is that I’ve had the smartest, most loyal, most passionate, most articulate group of — I’m not even gonna say fans. I’m going with “peeps” — that any cult oddity such as my bad self could have dreamt of. When almost no one was watching, when people probably should have STOPPED watching, I’ve had three constants: my family and friends, my collaborators (often the same), and y’all. A lot of stories have come out about my “dark years”, and how I’m “unrecognized”… I love these stories, because they make me seem super-important, but I have never felt the darkness (and I’m ALL about my darkness) that they described. Because I have so much. I have people, in my life, on this site, in places I’ve yet to discover, that always made me feel the truth of success: an artist and an audience communicating. Communicating to the point of collaborating. I’ve thought, “maybe I’m over; maybe I’ve said my piece”. But never with fear. Never with rancor. Because of y’all. Because you knew me when. If you think topping a box office record compares with someone telling you your work helped them through a rough time, you’re probably new here. (For the record, and despite my inhuman distance from the joy-joy of it: topping a box office record is super-dope. I’m an alien, not a robot.) So this is me, saying thank you. All of you. You’ve taken as much guff for loving my work as I have for over-writing it, and you deserve, in this our time of streaming into the main, to crow. To glow. To crow and go “I told you so”, to those Joe Blows not in the know. (LAST time I hire Dr. Seuss to punch my posts up. Yeesh!) Point being, you deserve some honor, AND you deserves some FAQs answered. So please welcome my old friend and certainly not-on-my-payroll reporter/flunky, Rutherford D. Actualperson!

For the Q&A, head on over to Whedonesque.

The Avengers Appeal

And continuing our Avengers post-mortem, The Wall Street Journal dug up a pretty interesting little tidbit today in a piece examining why Marvel’s newest film is pretty much printing money.

3) Multi-Generational Appeal: Characters like Captain America have been around since the 1940s; Thor, The Hulk, and Iron Man have been around since the 1960s. “The Avengers” felt fresh to kids, and was comfort food to adults. Half the attendees were over twenty five years old. 40 percent of the audience was female, so the film didn’t just appeal to boys.

I should say so. As I was sitting in the theater on Thursday night waiting for the movie, I couldn’t help but notice just how evenly split the gender ratio was. Good on you, Marvel. You’ve got yourselves a franchise we all can enjoy.