Word on ‘Thor 2’: Marvel’s Phase 2 takes shape

avengersWarning: the links in this post contain spoilers for the movie.

Now that we’ve all enjoyed The Avengers, it’s time for Phase Two of Marvel’s grand plan to take over the world comic book movie-verse, and Yahoo! weighed in this morning with news from the sequel to Thor. Rather than sticking with elite Shakespearean director Kenneth Branagh, who directed the first movie, Marvel has chosen to go with Game of Thrones director Alan Taylor.

Investigating the Yahoo post shows that this is old news, according to Collider’s official synopsis. Still, with an even more incredible cast than the previous incarnation and Taylor directing, Thor: The Dark World looks like it’s going to be an incredible movie.

Thor: The Dark World will be released November 8, 2013.

Top Tips for Fansites and Other News

While we continue to wait for confirmation one way or another on directorial news for Episode VII, something else was going on yesterday via Twitter: the first Star Wars Fansite Seminar, where Star Wars fansite creators, writers and readers came together to offer advice on running fansites. The official Star Wars blog put together a list of ten of the best tips here that you can check out. (Yes, I am totally and completely geeking out at the fact that one of them is from me. DUDES.)

Want to see more than just some of the tips? Fear not: Club Jade comes to the rescue with a Storify of the tweets made with the #SWFS hashtag yesterday here.

Club Jade has also reported that Drew Struzan has not been officially approached to do the poster artwork for Episode VII and that any chats to the contrary have simply been with friends at Disney and not with the company itself. Still, I think fans would love to see Struzan come out of retirement to work his magic once again.

Spielberg’s ‘Robopocalypse’ Indefinitely Postponed

A while back we heard word of an interesting looking project Steven Spielberg had attached himself to: Robopocalypse. Based on a novel by Daniel H. Wilson, it looked to be your usual tale of Robots turning against humanity (when will we ever learn?). The interesting twist was who was attached to it. Drew Goddard of Cloverfield and Cabin in the Woods writing fame, Anne Hathaway, and Chris Hemsworth were either slated or rumored to be part of the film in some capacity.

Originally the film was set for an April 2014 release. Now? Well, it’s future just got a whole lot murkier.

Spielberg has indicated boredom with action films in some recent interviews, and though no explanation was offered for the delay, aside from a statement from Spielberg’s rep that it wasn’t ready and was too expensive to move forward without a polished script, the Lincolnfilmmaker may simply not be as enamored with the brutal extinction story as he once was.

DreamWorks purchased the rights to Daniel H. Wilson’s novel well before it was published in June 2011.

It was originally set to be ready for this July, but last May 20th Century Fox (which is co-financing the film with DreamWorks, and Disney’s Touchstone distributing) announced it would be pushed to April 2014.

Now …? It’s a question of when the robot revolution will take place, but if.

Of course, this naturally sparked some conversation on Twitter as to whether this postponement means Spielberg is switching his focus to another science fiction project. Episode VII, perhaps? I very much doubt it. Spielberg has expressed multiple times that he’s not keen on taking the helm of his friend George’s property.

Postponement of Robopocalypse or not, Spielberg’s probably not directing Episode VII.

(h/t Scott Hume on Twitter)

Tosche Station’s Gratuitous 2012 in Review Linkdump

In January, Nanci and I started a podcast. In April, we spun that podcast off into a blog. All sorts of crazy things have happened since. Welcome to our gratuitous 2012 in Review Linkdump. As a note, thanks for bearing with us over the holidays as we took time to visit our friends and family. We’ll be back Wednesday with regular coverage and posts. Be sure to also check out Club Jade’s 2012 retrospective.

For our year-in-review, to the jump!

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Gail Simone leaves Batgirl; Comics Weep

I don’t read a lot of comics. I never really have, but when a friend started me reading comics, she reached into her long box, pulled out a long run of Gail Simone’s Birds of Prey and said, “Here, read this. It’s awesome.”

I now have a long box full of Birds of Prey. But only as written by Gail Simone. When she left Birds of Prey, I read a few issues, then was so disgusted with the way the story was going, I gave up. That was okay, though. Because then she started writing Wonder Woman. And all of a sudden, Wonder Woman was interesting! She was more than the pontificating diplomat. I didn’t buy a lot of Wonder Woman because I’d hit that graduate school stage of broke, but I got copies however I could. And then she was back on Birds of Prey and all was right with my world. Yes, I read other Batfamily comics, but that was only to get the context of the rest of universe in which Birds of Prey existed.

Oh, wait. Then DC rebooted. And we were losing Oracle, who I loved, and who Simone wrote so incredibly well. We had a character who was disabled and who still kicked butt, and we were losing that little bit of diversity. But Simone was going to write Batgirl, so that soothed the soul a bit.

Until today, when we discovered that DC fired her from Batgirl, leaving their most well-known female writer out in the cold.

I don’t know what to make of this. The Wired article I linked above points out that DC’s had plenty of problems with gender issues of late. What I am, however, is incredibly disappointed, because the woman who got me–and a lot of other girls–into DC comics–and who kept me interested in them over the last ten years–is no longer associated with them, and I see no good reason for it.

I don’t have a lot of analysis for this, partly because I don’t have a lot of insight into DC’s internal workings right now. But this decision hit me right in the feels, and I can’t imagine I’m the only one. Gail, have you thought about writing Star Wars comics?

Jazz Pianist and Composer Dave Brubeck Passes Away at 91

http://www.youtube.com/watch?v=e1S_vA0ougg
Legendary jazz pianist and composer Dave Brubeck passed away today at 91. The above video is a live-recording of perhaps his greatest and most well-known tune, Take Five.

Here at Tosche Staiton, we bill ourselves as being home to all sorts of geeky discussion. I was a huge music geek growing up (and remain so to this day). His music was on regular rotation when I was in middle school and high school and was the reason I took up the saxophone and became a jazz musician.

Rest in peace, Mr. Brubeck. Soon as you get through those pearly gates, I hope Paul Desmond and Joe Morello track you down to jam.

The Way is Clear: Anti-Trust Regulators Okay Disney’s Lucasfilm Purchase, Netflix gets Disney subscription rights

Via Yahoo! today: The AP reports today that Federal anti-trust regulators have given the all-clear for Disney to buy out Lucasfilm. Disney’s stock prices closed up .02% on the news.

What is of other interest in Disney news is that Netflix has grabbed the subscription rights to Disney films, starting in 2016, also according to the AP, and The Wall Street Cheat Sheet notes that this includes movies from Pixar and Marvel. However, with Disney’s newest acquisition, a question might be whether or not movies from Lucasfilm will show up on Netflix as well.

Rick McCallum Retires from Lucasfilm

Quietly last month, producer and long-time studio veteran Rick McCallum retired from Lucasfilm. McCallum played a large part in the Young Indiana Jones television series as well as the Special Edition of the Original Trilogy before producing the Prequel Trilogy. The announcement was made nearly a month ago on the Forcecast by Steve Sansweet but only caught the attention of sites like IGN recently.

What McCallum’s retirement means for the seemingly stuck-on-the-backburner live action television series is unknown, though chances are this isn’t good news for that project. As IGN points out, Disney may have its own vision for what television projects would look like on its network.