Review: Star Wars #21

The main Star Wars book never shines more than when Jason Aaron just goes for it and that’s exactly what he does here with the kick off of the much awaited stormtrooper arc.  Making his return is Sergeant Kreel from Luke’s misadventure on Nar Shaddaa except now he’s in command of Scar Squad, a group of very deadly Special Commando Advanced Recon stormtroopers.  (Bless comic books and their acronyms.)

If you enjoyed the Republic Commando books from Legends, you’ll almost definitely like this issue.  They may not be a bunch of Mandalorian raised clones but they are a fairly tight-knit band of extremely deadly men (and possibly women.)  The Rebels never stood a chance.  Aaron continues the work laid by other Star Wars creators and gives a more human face to the Empire.  Between this issue and books like Lost Stars, it’s not hard to understand why someone would be such a fervent believer in the Empire.  It’s stability, it’s an opportunity.  The Rebel Alliance is either a bunch of freedom fighters or a terrorist organization… all depending on your point of view.

Jorge Molina gets to have some fun on the art front and draw a bunch of different stormtrooper variations.  Visually, it’s a neat shorthand to show how elite Scar Squad is– not everyone gets to have their own unique kits.  The Molina/Milla team works very nicely for this book and fits right in with the other artists they’ve had on the different arcs so far.  And shout out to David Aja for the rad cover!  I’ve missed his work on Hawkeye so this is a nice little gem.

Been holding off on diving into the Star Wars comics?  Star Wars #21 is the perfect issue to jump in with!

Star Wars #21: Jason Aaron/Writer, Jorge Molina/Artist, Matt Milla/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

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Review: Aftermath: Life Debt (audiobook)

By now a great many of you have likely already purchased and read Life Debt, the second novel in Chuck Wendig’s Aftermath trilogy. Some of you may be waiting, however — for payday, for a free moment … or for someone to help you decide between the print version and the audio version. Likewise, there may be some of you who, for whatever reason, aren’t able to (or prefer not to) read the print version, and may be waiting to hear if the audiobook is an acceptable presentation of Wendig’s prose. Hopefully this review will help those folks, as well as anyone else who might be considering the audio version, decide if it’s for them.

lifedebt-audio

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Review: Aftermath: Life Debt

Life DebtLook. I enjoyed the first Aftermath book well enough and it held up favorably during a second reading but Life Debt blows it out of the water. Maybe it’s the broader scope of the story, maybe it’s the inclusion of more familiar characters, maybe it’s the story itself. I don’t know. Point is: Life Debt is one hell of a fun read. Continue reading

Review: Poe Dameron #4

The egg is hatched and now Black Squadron is in prison.  Yep, that about sums it up.

It’s really neat how Marvel is tying not just their same-era books together but also their Original and Sequel Trilogy era books.  First seen back in the main Star Wars book, Grakkus the Hutt makes his return in a storyline that feels very organic while also being a wink to those of us who read all the books.

There’s a lot that goes on in this issue–so much that it feels like it was double sized.  The prison arc gets set up and started and I’m enjoying it for so many reasons so far but what really struck me were the squadron focused bits.  One of the appeals of the Poe Dameron book was how we’d get to know the pilots from The Force Awakens a little better.  Pilots are fan favorites not just because they’re flashy flyboys and flygirls but because of how creators flesh them out further in the expanded universe.  Jess, Snap, and Karé are already starting to feel more real even though we’ve only seen them in a few issues.  Heck, I’m already on board with Snap/Karé as a ship!  Marvel really couldn’t have picked a better group of characters to focus on in this era.

On the art front… yeah look: you already know how I feel about Phil Noto’s work.  I don’t need to repeat myself: he’s fantastic.  But ohhhh baby.  That cover for next issue.  *fans self*  Poe, I’m gonna need you to keep that smolder under control.

Poe Dameron #4: Charles Soule/Writer, Phil Noto/Artist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Han Solo #2

Come on: you didn’t really think that this secret Rebel Alliance mission was just going to involve a high stakes space race, did you? Of course, the Dragon Void race is no mere race. Anakin Skywalker may have won the Boonta but I think even he would have a little trouble here. Marjorie Liu is most certainly committed to making sure that we get more than just the cocky smuggler side of Han Solo; something that more than a few writers have forgotten to do. And sure: Han is definitely cocky and brash but he’s also a pretty smart guy as evidenced by how he figured out the trick to the race’s opening—something that only one other pilot realized.

Something I’m definitely enjoying about this comic is how it’s helping broaden the universe.  Now we’re getting to see folks who don’t quite fall into the Underworld categorization but they’re still from the less civilized part of the galaxy and they’re really excited about this race.  The spectators have such a great ‘normal citizen’ feel and just like so many normal citizens in our world, they want to get autographs!  In the grand scheme of the story, it’s not a very big thing but it’s something that really stuck out to me nonetheless.

Mark Brooks (with some help from Sonia Obark’s colors) continues to be a delight on art. The highlights from this issue would definitely be the costume design for a female Falleen and the more humorous Chewbacca facial expressions.  Chewie can be a tough cookie to crack when it comes to artist renditions but I’m definitely enjoying Brooks’ take.

Han Solo continues to be a really fun book and I can’t wait to see where the Imperial entanglements take us in Issue #3.

Han Solo #2: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Darth Vader #22

Aphra Watch 2016: Still not dead. Also still smarter than you.

Darth Vader #22 picks up right where Issue #21 left off: with Vader facing off against a cyberanimate rancor. Oh and it all happens on a whale-ship. Honestly, that tells you everything you should need to know about this book because Kieron Gillen and Salvador Larroca make some crazy magic happen. Science is nothing compared to the power of the Force and the force that is Darth Vader.

Cylo, on the other hand, is proving more resourceful and perhaps a little bit smarter than I’d given him credit for. He’s making very strong forward moves in the ‘take down Emperor and Vader’ direction even if we all know it won’t end well. It’s just a matter of how many other people he can take with him.

In a continuing ode to Doctor Aphra… we may not get very much of her in this issue but what we do get reinforces that she’s still alive (despite working for Vader) because of how damn smart she is and how fast she can think on her feet. Whether it pans out remains to be seen but it’s incredibly awesome to see such a capable woman not just wait around to be rescued… she does something about it.

As a part of the aptly named End of Games arc, Darth Vader #22 continues to raise the stakes and will keep readers on the edge of their seat as we march towards the end of this exciting book.

Darth Vader #22: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Han Solo #1

han solo coverA lot of people are kvetching over Han Solo getting a limited series comic book because OH NO he’s already getting an origin film. Those people should hush for a moment and read a very fun issue of Star Wars comics called Han Solo #1.

As our first female writer for this new batch of Star Wars comics, expectations were (unfairly) going to be high for Marjorie Liu but she rises to the challenge and delivers the set up for an all around fun story. More than any of the other books so far, this feels like a Star Wars book. A lot of that has to do with the fantastic artwork by Mark Brooks with an abundance of alien life forms in the background of every cantina scene. Every limited series has had its own unique vibe and I am digging this one so far.

This is a Han Solo who’s not quite feeling himself. He’s being overly careful when it comes to smuggling and he takes a dangerous mission when a Princess asks. We’re used to seeing this cocky and confident captain so it’s refreshing to see one who second-guesses himself even a little bit. What makes this book such a joy though is that it’s still distinctly Han Solo. Harrison Ford’s voice popped into my head at more than a few lines. Liu also has a good handle on Leia. One of the more delightful scenes involves Leia and Cracken arguing like Han’s not even in the room and it all just feels right.

On the art front, it’s nice to see another female colorist join the Star Wars family and it’s equally nice to see some Mark Brooks interiors especially after so many of his great covers on the Kanan book. He can convey a lot about the characters with just a few panels an facial expressions and his work really helps bring the book together.

I think it’s saying something that my biggest gripe with this book is that Airen Cracken has graying brown hair instead of graying red hair. Do you really need me to tell you that this was a great start to another series and to go pick the book up?

Han Solo #1: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Star Wars #20

The end of an arc in the main Star Wars book means it’s time for another foray into the journal of Obi-Wan Kenobi. Artist Mike Mayhew returns to team up with Jason Aaron as we jump in our ship and head back to Tatooine.

In theory, the Obi-Wan interludes are about Obi-Wan watching Luke growing up but as we reach the third one, it’s becoming clearer that they’re really about Obi-Wan and Owen Lars and the tenuous relationship between them. Don’t get me wrong: young Luke is enthusiastic and adorable and a breath of life on the page. The shaky and ever evolving understanding between Owen and Obi-Wan is something entirely different. Almost two decades pass between the trilogies and it makes sense that things between them wouldn’t be static. I’m intrigued to see where else this might go especially if Beru gets to play more of a role. (By the way, the flash of her being a total bad ass in this issue was AWESOME.)

Mike Mayhew’s facial expressions are probably the strength of his work in this book. They tell stories entirely on their own on his very polished and pretty pages. I wasn’t overly fond of how Black Krrsantan looks more like King Kong than a wookiee in the face on one page but that’s a relatively minor quibble. That said, Mayhew definitely knows how to frame a heroic shot.

The more the Star Wars team publishes these Kenobi Interludes, the more I enjoy them. They continue to be a palette cleanser of sorts between arcs but in the most positive way. It’s a nice way to take a deep breath and let it out again before we dive into our heroes’ next adventure.  That said… bring on the stormtroopers!

Star Wars #20: Jason Aaron/Writer, Mike Mayhew/Artist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Poe Dameron #3

WHAT’S IN THE GIANT GLOWING EGG? HOW COOL CAN JESSICA PAVA BE? IS BB-8 THE ACTUAL BEST? Poe Dameron #3 answers all of these and more as Poe faces off against Agent Terex and Black Squadron has to fly like bats out of hell against some First Order TIE fighters.

The first part of the story comes to a close far sooner than I expected but I like that it doesn’t get dragged out. Soule knows how to tell a tight story and doesn’t make things go on and on just to fill page space. All of those questions that I started this review out with are answered and more. The short, non-spoilery answers to those questions are: 1) Something weird, 2) VERY, and 3) Obviously! One of the best things about Soule’s story here is how he’s able to work little character details in almost seamlessly. We learn more about Snap and Karé and Jess and yet none of it feels forced.

The other best part of the story is definitely Agent Terex. The creators come up with a creative yet plausible way to potentially keep him around for stories to come. A good villain can be worth their weight in gold and Terex definitely has lasting potential.

It’s always worth mentioning how lovely and fun Noto’s artwork is. Without it, Terex wouldn’t have the same flair and Poe wouldn’t have quite the same charm. Even the adorableness of BB-8 jumps right off the page.

Poe Dameron continues to be a decidedly fun read and certainly worth your time. Next month, the hunt for Lor San Tekka continues and they head to prison… because that always goes well.

Poe Dameron #3: Charles Soule/Writer, Phil Noto/Artist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Darth Vader #21

Want to know how to end a comic book issue? Read Darth Vader #21 because this one definitely got an ‘OH SNAP’ from me. We’re in the final days now of this awesome run by the Vader team and I suspect that very bad things are going to be happening. But first! Dr. Aphra is back!

It’s been fun reading about the adventures of Aphra, Sana, and Leia over in the main Star Wars book but I’m glad to see her returned to the pages of Darth Vader. It’s felt like something was missing the last few issues even though she was never forgotten in the story. Even when she’s clearly feeling less than her best, there’s something about Aphra that just makes her pop off the page. Don’t get me wrong: I’m still very worried about her surviving but it just feels right to have her around again.

On the flip side, we have Vader (I mean, I guess it’s technically his book) who is 100% done and ready to just crush Cylo and move on to better things. In this issue, we get both the ruthless Vader and the one who can outfly almost anyone. The latter is a tricky thing to convey in comics since you’re restricted to unmoving images but Larroca makes it work. If you ask me, Cylo is handling Vader coming after him all too calmly. Even if we didn’t know that Vader and the Emperor survive, those are not two people I would want to tick off on a personal level.

Oh the Larroca/Delgado artwork for the nebula? Drop dead gorgeous. I’d kill to see more pages with it. (And the space whale-shark-abomination thingys. Can’t forget them.)

Darth Vader #21: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor