Yes, Shane and I think so.
Rogue Leader: The Wedge Antilles Tumblr.
A sample:

(Shane would like to point out that he found it and that I am stealing his post. My reply was unprintable.)
Star Wars, Geek Culture, and Power Converters
Yes, Shane and I think so.
Rogue Leader: The Wedge Antilles Tumblr.
A sample:

(Shane would like to point out that he found it and that I am stealing his post. My reply was unprintable.)
The official site has details of more guests confirmed for Celebration VI. The headliner this time around is Chewbacca himself, Peter Mayhew. Other confirmations include:
Tim Rose: “It’s a Trap!” The performer behind Admiral Ackbar, Tim Rose, will be at Celebration VI. The puppeteer also performed the iconic Sy Snoodles and Salacious Crumb.
Trevor Butterfield: Butterfield performed a variety of roles, including an Imperial Officer and Lt. Blount in Return of the Jedi.
Nick Maley: A make-up artist in The Empire Strikes Back, Maley was involved with Stuart Freeborn in the creation of Yoda.
Paul Springer: Mime artist and puppeteer, Springer portrayed a Gamorrean guard and the character Ree Yees in Return of the Jedi.
Mayhew joins Carrie Fisher and Jeremy Bulloch as the early confirmations for the convention to celebrate all things Star Wars. I do hope they’ll let Peter and Carrie do a panel together. One of the highlights at last year’s Dragon*Con was watching the two of them riff off each other for an hour.
Pablo Hidalgo is at work on an all new Essential Reader’s Companion, but he had the time to send an interesting behind the scenes note to Star Wars Books regarding an early premise for the New Jedi Order series.
The story arc was to very closely hew to the myth structure of the Hero’s Journey as outlined by Joseph Campbell, a huge influence on the creation of the Star Wars cinematic story. With that as its basic framework, the plot underwent much evolution and exploration. Its earliest descriptions had Luke Skywalker sending the three Solo children on an epic quest, upon which they encounter a new female character from the invading species sent to infiltrate the galaxy. This unnamed female corrupts Anakin, nearly turning him to the dark side, but she falls in love with him and Anakin instead redeems her. In a fit of intense sibling rivalry, Jacen and Jaina turn on Anakin, and in the resulting conflict, Jacen dies.
You know. I think I might have preferred this setup to what we got. The undercurrent of redemption plays much more true to the philosophy and tone of Star Wars, and this would have been a clear passing of the torch to the next generation.
There’s been a whole lot said in the last week or so about the need for better developed female characters in Star Wars and the Expanded universe. Over at Lightsaber Rattling, Pete Morrison decided to look at EU novels since 2006 and crunch some numbers.
Some figures Pete unearthed:
- Male Character Per Novel Average: 9.9
- Female Character Per Novel Average: 5.13
- Ratio of Male to Female Characters: 1.93 to 1.
It’s important to note that this isn’t a look at the quality of female characters written into these books (which is another topic entirely), just the quantity. However, it seems that even on the strict numbers front, fans asking for more to be done with female characters have a point. Female characters are nearly outnumbered 2-to-1 in the Expanded Universe since 2006.
In addition to breaking these numbers down further by year, Pete has also written a great editorial to go along with this piece. Go to the link above and read through his excellent post.
There’s a discussion going on in the Club Jade comments (as well as on Twitter) regarding why people read Star Wars books. I took exception to a comment that people don’t read Star Wars books for characterization, but rather for action, because that’s exactly why I started reading the EU. I was 11 years old and had just watched the Original Trilogy. I loved Luke Skywalker (actually all the characters, but Luke especially) and wanted to know what happened to them after the movies. Thankfully, right around that time Timothy Zahn’s Thrawn Trilogy was released. I learned what happened to these characters I loved, as well as got to know new characters, who are still some of my favorites (Mara and Karrde).
As far as action is concerned, I can take it or leave it. My judgment usually falls upon whether or not the action scene did something rather than just drive the plot forward. I’m thinking of the first scene of Rogue Squadron, introducing Corran Horn; any of the action scenes involving Luke in Shadows of Mindor; or the fight with C’baoth in The Last Command, to name a few. Mindless action in films and television don’t bother me as much, because it’s pretty (or it can be). But in a book, there is nothing that makes me fall asleep faster than action with no plot or character development included.
There’s nothing wrong with lightsaber fights, starfighter dogfights, or chase sequences. I love those, if done correctly. But even in the films, Star Wars has never been just about action. Let’s take a look at the film that started it all, A New Hope.
So there you have it. Does Star Wars, as a franchise, contain action elements? Yes. Is it an action franchise? I say no. There are elements of action, drama, romance, and humor, combined with a ton of character development. In my opinion, the best Expanded Universe novels are the ones that echo this tone. Too much action, and you bore me. Not enough , and it’s not exciting. And if your characters don’t drive the story (rather than characters acting stupid to fit the plot), then I’m not interested at all.
What do you say?
So, hypothetically speaking, Nick Fury shows up in the Galaxy Far, Far Away and makes some allusions to an all new Big Bad looming out of the distance. He says he’s putting together something called the Avengers Initiative and needs five heroes to form a team with a high badassery quotient. We asked you who you think should make the cut. You delivered.
See the suggestions below the cut!
It’s Tuesday, which means I’m about to bludgeon you over the head with another entry from that great timesink in the cloud, TV Tropes. This week, we’re examining one we like to call Darker and Edgier.
A Tone Shift that seeks to make a work of fiction “more adult”. Usually, this is practically interpreted as “add more sex, profanity, heavy violence, and controversial content”.
This trope usually means that a show will attempt to shift towards seriousness, cynicism and grit. In theory, archetypes which we are usually accustomed to acting in a more noble setting will have to act in one where they must think and act grimly in order to make progress, thus forcing re-examination of the tropes involved and making a different sort of character. In practice, though, writers often are too lazy to make use of what most of those words mean, and ending up randomly “spicing up” a work with gratuitous gore, cursing, and sex. See Not A Deconstruction
When a show uses this trope as a tagline, expect anything that can go wrong will go wrong, the setting to be a World Half Empty, everyone to be bastards, lots of unpleasant things happen to the characters or backstories giving the characters a particular issue they can spend time angsting about.
As we can expect, this is fairly easy to screw up and poor use of these tropes can just result in Darkness-Induced Audience Apathy and Narm instead.
Thankfully, the Expanded Universe hasn’t fallen victim to this trope. I mean, it’s not like fans are keeping a running tally of how many major characters get killed, abandoned the tone and philosophy of the source material, or shifted the villains from tactical geniuses to more trite Eldritch Abominations or any…


Erm…
Rancho Obi Wan publicist and all around awesome person Consetta Parker announced another guest for Star Wars Weekends, Clone Wars voice actor Cat Taber.
Hurray! @cattaber will be attending #Disney #StarWars Weekends June 1-3!
— Consetta Parker (@parkerpublicist) May 8, 2012
If you’re in the Orlando area that weekend, you can catch Taber and other guests at Disney’s Hollywood Studios.
Author Jason Fry released another batch of Essential Guide to Warfare endnotes on Monday. This time around he’s covering the Separatists and Order 66.
Order 66: The Road to Empire: Lucasfilm passed on a very cool diagram drawn by Dave Filoni of the galaxy’s powers and institutions and their role in Sidious’s plot; it was extremely helpful in seeing this section clearly. Making Kol Skywalker the narrator seemed like a natural move, helping tie the Legacy era into the more-familiar era here and adding a poignant note to the story of the Skywalker clan.
Finally, I like the point that Sidious was telling the truth when he accused the Jedi of plotting against him, trying to kill him and scheming to take over the Senate. He’s leaving out some key details — such as, oh, being a Sith Lord — but he isn’t lying. The best plots depend not on lies, but on manipulating your opponent to do what he’d rather not.
For more tidbits from this batch, head on over to Jason Fry’s Tumblr.

Bad news for Electronic Arts, Bioware, and Lucasarts. Their massively-online Star Wars IP is having a very hard time retaining subscribers as 400,000 have left the virtual universe according to an EA earnings statement.
To put this into perspective, subscriber totals peaked around 1.7 million and have crashed down to 1.3 million. Nearly 25% of subscribers have bolted since the game’s launch. Those are numbers that no one involved with the development of the game ever wanted to see, especially this early in the game’s life.
You have to wonder, would a proper Knights of the Old Republic III have been a better choice in the long run?