We need to talk about Padmé Amidala

aotc-senate padmeWe need to talk about Padmé Amidala. More specifically, we have to talk about the raw deal that Padmé gets. No not the one that she got in Revenge of the Sith with her entire political plotline being cut from the film and her less than ideal death. No, I’m referring to the tendency of people (fandom and otherwise) to write Padmé off simply because she was either in the Prequels or doesn’t fit their model of a Strong Female Character because it’s really getting to be a problem.

Prequel dismissiveness aside, I’ve seen a pretty disturbing trend lately of writers leaving Padmé off their lists of prominent women within the Star Wars universe. Usually, that list includes Leia, Rey, Jyn, Ahsoka, and sometimes Sabine and Hera from Star Wars Rebels. It’s a list that doesn’t include Padmé despite her being strong enough to lead the battle to retake her planet, often going headfirst into danger when she’s trying to do the right thing, and having some of the strongest convictions of any Star Wars characters. She is also undoubtedly the prominent female character from three films.

When people talk about Padmé, they often do so dismissively whether it be because of the Prequels or because of her death or because of her fantastic fashion sense or because she’s not the flashy Hero of the story or because they simply don’t like her. That’s not okay. Say what you will about the Prequels but give Padmé the respect that she deserves and don’t omit her from a list of prominent Star Wars women just because you have an axe to grind. (And Padmé certainly can fight, by the way. She’s one of the best shots in the films but that shouldn’t matter.) Continue reading

Review: Star Wars #24

Say hello to the payoff we’ve been waiting for since that very first tease of Scar Squadron. Sergeant Kreel’s stormtroopers are finally clashing with our barebones Rebel Star Destroyer crew! How does that work out for Leia, Luke, and Han? Well… uhhh… not terribly well.

This was definitely a doomed mission from the start but there’s something intriguing about how Leia and the rest keep fighting despite the odds being progressively more stacked against them. Jason Aaron really nails Leia’s characterization with how dedicated she is to the mission and the overarching Rebellion. Add that to how awesome Sana’s been this issue and more and more? The Star Wars book’s strength is becoming its women.

Issue #24 definitely has more of that classic Star Wars feel than last month’s Han And Leia Are Going To Win Even If It Kills Them issue did. There’s also a heck of a lot action. Visually, Jorge Molina’s artwork throughout the issue is awesome. Scar Squadron is comprised of troopers who not only have different kits but also have different fighting styles. Some people may not like seeing Kreel wield a lightsaber against Luke but within the story, it all works rather well. It’s worth noting that this is also a story that couldn’t take place anywhere else because Luke’s definitely still very much a novice when it comes to lightsaber dueling.

Here’s the thing though: it wouldn’t matter what else happened in this issue because that last page? Yeah, that last page makes it all worth it. What happens? Well, you’ll just have to read the issue and find out.

Star Wars #24: Jason Aaron/Writer, Jorge Molina/Artist, Matt Milla/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Poe Dameron #7

Poe’s flying solo and off on a personal mission to see an old friend! What could possibly go wrong? (A lot of things. So many things.) Come on, buddy: You should know better than to go somewhere in the galaxy and not bring a blaster. That’s, like, Impending Galactic War 101.

As far as standalone issues go, this one really pops out and that’s due in great part to Suralinda, an old Navy-turned-journalist friend of Poe’s. It might say his name on the front of the book but this is definitely her issue to shine. Charles Soule has her go through an entire character arc within the issue that’s incredibly satisfying and completely about her. I sincerely hope we get to see more of Suralinda in the future because she’s too good of a character to leave in one-shot hell.

We don’t get Phil Noto artwork this month but we do get Angel Unzueta with Frank D’Armata on colors which is definitely a change up but not a bad one. I especially like his rendering of General Organa and also his commitment to Poe’s five o’clock shadow. I also love what he did with Suralinda’s character design and costume. (Hey cosplayers: That’d be an awesome project…)

If you’re looking for a good place to jump on to the Poe comic, this is absolutely the time to do so. It’s a fun ride that requires no real backstory and it even brings a whole new meaning to “I can fly anything.” 10/10, I absolutely recommend.

Poe Dameron #7: Charles Soule/Writer, Angel Unzueta/Artist, Frank D’Armata/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

NYCC 2016: Interview with Charles Soule

poe dameron cover 2I was lucky enough to sit down and chat with Charles Soule for a few minutes at New York Comic Con. Since we last talked at Baltimore Comic Con last year, he’s finished his run on Lando, written the Obi-Wan and Anakin series, and is currently writing the ongoing Poe Dameron series for Marvel Comics. (And that’s in addition to all the other books he writes for Marvel and all his creator owned work.) Needless, to say, he’s stayed busy.

Bria for Tosche Station: Thank you again for talking with me this morning and congratulations on conquering the world of Star Wars Comics.

Charles Soule: It has been an incredibly ride. Doing a series set in Prequel time, doing a series set in Original series time, and new era time? I can’t believe it. I still can’t believe it.

TS: I think you might actually be the first person to have written in all three eras in the new canon.

CS: I guess the dream’s achieved. I can retire now. It’s all happened.

TS: I think it was at NYCC last year that the Obi-Wan and Anakin book was announced which I loved by the way. What was it like getting to delve into another era and its characters since before that you’d been working on Lando?

CS: The thing that I really liked about it was that not only was it a Prequel Era story which is sort of unexplored to begin with but it was in the unexplored—no one has written anything between Episode I and Episode II as far as I know other than this.

TS: One or two Legends books but not much.

CS: So it was very cool to be able to look at a time when the Jedi were… they weren’t ascended but they were certainly powerful and their infrastructure was in place and all that. Palpatine was active but hadn’t yet revealed himself as Sidious. The relationship with Anakin was really developing. There were all these really potent, dramatic things I could do with the Obi-Wan series that aren’t available in other parts of the timeline so I was really thrilled to get a chance to take a crack at it. Continue reading

Rebels Review: 3.05 – The Last Battle

star-wars-rebels-the-clone-warsFeaturing Captain Rex and a bunch of battle droids, The Last Battle is an episode for fans of The Clone Wars and the prequels more than a standalone Rebels episode. As a huge fan of The Clone Wars, it’s hard for me to disengage myself from that love to look at this episode from a Rebels point of view—as it is, it’s already very interwoven with The Clone Wars and other stories from within the GFFA. Forgive me for my implicit bias in the review beyond this one sentence: The Last Battle is a average-to-good episode that not only shows Rex, Ezra, and Kanan’s growth as characters, but also explores the ideas of the clones and droids as programmed “tools” during the Clone Wars.

In The Last Battle, Captain Rex and some of the Ghost crew head to Agamar to collect weapons. Instead, they find themselves sucked into a war game as they encounter remainders of the Clone Wars—droids for whom the war never ended. They consider this their chance to really end the war, finally solving the question of just who won the Clone Wars. It is exactly what the episode title says: the last battle.

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Rebels Review: 3.04 – Hera’s Heroes

rebels logoIt’s no coincidence that the episode that stars Hera and gives Thrawn his first real spotlight is my favorite of the season so far.

Hera’s Heroes brings the crew of the Ghost back to Imperial-occupied Ryloth. They’re able to help Cham out of a tight corner but Hera is dismayed to learn that a priceless family heirloom has been left behind when the Empire took over the Tann province. When she decides to undertake a personal mission to retrieve it, everyone offers to help. It’d be a challenging yet easy mission if any other commander but Grand Admiral Thrawn was there and that’s where the trouble begins.

For months now, we’ve been hearing Timothy Zahn say that he feels really good about how the Rebels is using Thrawn. Some naysayers have protested that he’s just saying that because Disney’s making him et cetera et cetera. After this episode? There is no doubt in my mind that this is the Grand Admiral Thrawn on the screen. Everything about his encounter with Hera as he systematically deduced her identity (and Ezra’s) was note perfect and I literally had chills running down my spine on multiple occasions. This is absolutely the Thrawn from the books that we know and love from his excellent manners to his interest in art to his ability to be downright terrifying if you cross him.

This was also a great spotlight episode for Hera. Often, our dear Captain Syndulla has to take a backseat to the rest of her crew. Every time we learn more tidbits about her past, the more intrigued I am. There’s something fascinating about how Hera grew up as both the daughter of a prominent local hero and as someone who was forged by war. She’s so dedicated to the Rebellion that she clearly feels guilty about involving her crew with a personal mission even though she’s helped each of them many times in the past. Add that to how easily she can slip in and out of the Ryloth accent as the mission requires it and, well, it’s getting harder and harder for people to just define her as ‘Space Mom.’  It also certainly says something that Cham’s so easily willing to trade himself for Hera not just because she’s his daughter but also because he knows the Ryloth Rebellion would be in very capable hands.

Kevin Kiner’s work continues to be incredible and we do not deserve him. Every time I think his score can’t possibly get better, he surprises us. Thrawn’s theme is sinister yet not overtly so. The use of the percussion is just fantastic. Rebels is damn lucky to have him.

A few assorted side notes:

  • Even Chopper has a tragic backstory! His moment with the Y-Wing was sad and almost (dare I say it) adorable.
  • Any day that Chopper gets to blow things up is a good day.
  • I’m digging Sabine’s new look more and more with each episode.
  • The real tragedy of the episode is that Ezra doesn’t even get to keep the Scout trooper helmet.
  • Thrawn pronounces Hera’s name slightly differently than we usually hear. I’m wondering if that’s just his accent or a subtle callback to how twi’lek names were pronounced in Legends.

Overall, Hera’s Heroes is a fantastic episode written by new writer Nicole Dubuc. Not content with just putting Thrawn on the screen, Rebels is definitely bringing their A-game this season and I am happily along for the ride.

Review: Han Solo #4

Tensions are running very high aboard the Millennium Falcon as the Dragon Void race continues and there just might be a traitorous spy amongst the rebels that Han and Chewie are picking up along the way. Han Solo #4 is a fast-paced issue with a lot happening but also a lot to love.

Marjorie Liu excels at writing Han Solo more than I could have possibly imagined. You can feel the conflict within him as he tries to decide between winning or doing the right thing. This is a Han Solo who cares and who, even if he’ll deny it, is coming around to being part of something bigger than himself.

It’s also worth mentioning that Liu writes an amusing Chewbacca. While he’s certainly not at the forefront quite as much as Han, he gets to play a fun supporting role and often offer a little bit of comic relief that’s almost reminiscent of him in The Force Awakens. I also appreciated the meta-feeling remark to the twi’leks about how they’re always dancing girls and the twi’leks’ subsequent death threat. It’s great seeing twi’lek women get to play much better roles in this new canon world.

One of the things I love about Mark Brooks’ artwork on this book is how rich every page is. There’s something about it that makes this universe feel very lived in and real. The pages tend to be fairly busy which really adds to the feel of the book but Brooks knows when to take a step back and use a panel for impact. It’s really great work.

Han Solo #4 lived up to the promise of the previous issue and has me very anxiously awaiting the next and final one!

Han Solo #4: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback & Matt Milla/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Star Wars Writers Roundtable from NYCC

From New York Comic Con is the Star Wars Presents: A Writers Roundtable panel. The folks over at Penguin Random House were kind enough to record and upload the event for our enjoyment. Featured on the panel are Timothy Zahn (Heir to the Empire, Thrawn), Chuck Wendig (Aftermath, Life Debt), James Luceno (Tarkin, Catalyst), E.K. Johnston (Ahsoka), Charles Soule (Lando, Obi-Wan & Anakin, Poe Dameron) and Kieron Gillen (Star Wars: Darth Vader). It’s moderated by Lucasfilm’s Michael Siglain and Star Wars books editor Jennifer Heddle.

Review: Ahsoka by E.K. Johnston

p39-part5-ahsoka-book

Bria: Ever since Ahsoka Tano showed up as Fulcrum on Star Wars Rebels, fans have wanted to know what she’s been up to since she left the Jedi Order.  Thanks to a brand new young adult novel by E.K. Johnston, we finally get our answer.  Well, some of it.  Ahsoka picks up a year after Order 66 with the former Jedi in hiding on a backwater planet but always on alert for the Empire.  

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