Rebels Review: Homecoming

HeraRebels this week was kind of perfect.  Actually, I feel pretty comfortable saying that this was by far my favorite episode since the show started up again in October.  When it becomes clear that Hera’s Phoenix Squadron needs an Imperial carrier, she’s forced to contact her estranged father Cham Syndulla and ask for his help.  Things, however, don’t exactly go as planned.  (This is Star Wars.  When do things ever go as planned?)

Wings of the Master was great but this was the Hera episode I’ve been waiting for since I read A New Dawn.  We finally get those missing pieces of her backstory that, when put together with the rest of Rebels and the books, help us really understand who she is.  This is her time to shine.  Honestly, the only thing that could have made this episode more perfect is if we’d finally gotten to see our Space Married favorites kiss on screen and what we got was almost just as good.  Obviously this episode is a great Hera spotlight but we also get to see a completely different side of Kanan as he both fanboys over the great General Syndulla and is totally nervous about meeting Hera’s father and making a good impression.  (I’m with you, FPJ.  They very obviously have feelings for one another.)  They’re Space Married.  So. Freaking. Space Married.

But back to Hera.  While one could argue that it’s the culmination of everything we’ve seen so far, Homecoming gave us so much about Hera Syndulla that made her feel like a real person with flaws to balance her strengths.  Homecoming (with an assist from last week’s Space Whale episode) helps take her further out of the occasionally restrictive Space Mom trope and really let her shine as her own person.  Homecoming defines Hera in her own terms and not by her relations to other people on the Ghost or by her strained relationship with her father.

It’s impossible to discuss this episode without giving Vanessa Marshall all of the applause.  Hera had been relatively unique in that she spoke with an American accent instead of the usual French one that most of the twi’leks have.  Turns out there was a very good story reason for that and fans got to hear her slide back into a French accent during a very heated argument with her father.  It’s something that undoubtedly rings true with a lot of fans, myself included.  Intense emotions and family have a way of making even the most practiced person slip back into the vocal tendencies of their youth.  Marshall’s performance, especially in that scene, was flawless.

Another part of what really made this episode so strong was that it featured the entire crew.  This has been a show that has reinforced the importance of found family and it tends to be at its best when it consistently shows them working together even when one character takes the spotlight for a little bit.  Even though this was clearly Hera’s time, Ezra, Sabine, and Zeb still had their little moments.  No one was forgotten or conveniently written into a coma.

Now if you’ll excuse me, I have to go watch this episode another twenty times and hope that maybe this time, Hera and Kanan will actually kiss.  #SpaceMarried

Review: Star Wars #16

It feels like it’s been ages since we last saw our heroes so Star Wars #16 by Jason Aaron and Leinil Yu is a welcome return to the Rebel Alliance. While Han and Luke are off making poor life decisions with the Rebellion’s money, the ladies have far more pressing matters at hand.

How great is it that Sana Starros isn’t just a one-arc character but is instead returning in this issue? Actually, how great is it period that the majority of this issue revolves around Leia, Sana, and Aphra? The Han and Luke parts are fine but I could have been perfectly happy with an issue or even an entire arc focused just on the women. Unsurprisingly, Aphra is not going quietly into the night even though she’s been captured. While I continue to be very concerned about her safety and continued living (looking at you, Darth Vader,) I love that this issue shows that she hasn’t lost any of her fire. Leia has an interesting line about how the Empire will scour the galaxy for her which may seem innocuous but shows how much the Rebels don’t know about Aphra and Vader’s side project.

Speaking of Leia, the interactions between her and Sana build wonderfully upon when we last saw them on Nar Shaddaa. They may not be friends but they can work together towards a common goal and really not give a crap about Han Solo. In fact, it’s rather refreshing that he never really even comes up in their conversation. At the same time, it’s going to be interesting to watch and see where her story goes. Will she also go for being in it for the money to actually actively supporting the Rebellion or will the payday always be her driving force?

Both on-goings are moving along nicely from the aftermath of Vader Down and Star Wars #16 definitely gets a recommendation from me.

Episode VIII Begins Production, New Cast Confirmed

The Official Site announced today that Star Wars Episode VIII has officially begun production.

Star Wars: Episode VIII, which is written and directed by Rian Johnson and continues the storylines introduced in Star Wars: The Force Awakens, welcomes back cast members Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, and Andy Serkis.  New cast members will include Academy Award winner Benicio Del Toro, Academy Award nominee Laura Dern, and talented newcomer Kelly Marie Tran.

Emphasis added. We had heard that Benicio Del Toro was in the running for a role in the film, but I believe this is the first we’ve hard of Laura Dern and Kelly Marie Tran’s attachment.

To assist with the hype, a teaser video was also released with the announcement.

Review: Darth Vader #16

Have we all recovered from Vader Down yet? No? It’s okay, me neither. This week, Kieron Gillen and Salvador Larroca take us on a brand new adventure to the planet Shu-Torun where the ore barons are rebelling and being very inconvenient for the Empire. Who else would the Emperor dispatch to deal with the situation but Darth Vader?

While it’s probably not completely mandatory, I strongly suggest picking up and reading the Darth Vader Annual before delving into this arc as it provides all of the backstory. The dynamics between Vader and Queen Trios are what really make this issue stand out to me. In a way, it’s like a mirror to the dynamic between Vader and Palpatine in that you have an individual who is used to having power and to having their orders obeyed who is then faced with a stronger individual that they must defer to. I’m curious to see how far it’s taken and how far Trios and Vader can push each other before one of them snaps.

The shift from Skywalkers to royalty is certainly a welcome one at this point in the series. It’s a nice change of pace in the book’s second year before that storyline became stale. Plus, Shu-Torun also gives the creative team a chance to expand the universe and create another monarchy for a particular brand of Star Wars nerd to geek out of.

Of course, this review wouldn’t be complete without expressing A LOT OF CONCERN IN REGARDS TO THE SAFETY AND WELL BEING OF DOCTOR APHRA. (I’ve got my eye on you, Gillen. I’ve read too many of your comics to think she’s safe!)

Oh and also? The cover of this issue by Mark Brooks along with the one teased at the end of the issue is drop death gorgeous.

Darth Vader #16 is a worthwhile follow up to Vader Down and I’m excited to see where the story goes!

Millicent the Cat Has a Secret

Millicent the Cat

Despite dozens of people saying otherwise, the theory that Snoke is actually Darth Plagueis continues to live on even though so many of us wish it would just die. Fear not! I come before you with a new theory… one far younger and more powerful. Per interviews with Andy Serkis, we know that Snoke is actually a brand new character for the Sequel Trilogy. Thus far, most of the Snoke Theories have ignored this.

Star Wars fans were recently alerted to the existence of a new character this weekend… Millicent the Cat. Millicent is a bit of an oddity. Not only does she belong to General Hux but she also has a litter box in Kylo Ren’s torture room. This is no mere kitty. She is Millicent, Daughter of… some other cat. You owe her your allegiance. Therefore, I feel that it is my obligation and my sworn duty to present to you a theory backed by what I consider to be irrefutable evidence: Snoke is actually Millicent the Cat.

Fact: No one has ever seen Millicent and Snoke in the same room.
This is indisputable. Throughout the entire film, Snoke and Millicent the Cat never appear in frame together. Now, of course, one might argue that Millicent never appears in The Force Awakens period but that certainly does not take away from the fact that you never see them together. There’s definitely a reason why.

Fact: We’ve only see Snoke as a hologram.
Millicent is one smart kitty. She knew that she’d never have a chance for galactic domination as herself so she found another plan of action. The giant Snoke hologram on a throne is merely a digital projection created entirely by computers that Millicent is clearly controlling. (Pay no attention to the cat behind the curtain.)

Fact: Cats are assholes. Just like Snoke.
It is a truth universally acknowledged that a cat, when given the opportunity, must be in want of being an asshole. What could be more asshole-ish than corrupting a kid to the dark side and encouraging him to kill his father?

Fact: Kylo Ren puts his helmet in Millicent’s litterbox.
Do you think the Master of the Knights of Ren would put his helmet just anywhere? Of course not. Obviously Millicent is no mere cat and Kylo should feel lucky to temporarily place his helmet where Millicent’s *ahem* business also goes. And honestly, do you think that any mere cat, even one owned by General Hux, would have a litterbox in such an important place?  (Although I suppose there’s room for an argument that this is just another way for Millicent-Snoke to exert her dominance over Kylo.)

Fact: Neither Hux nor Kylo appear to have any cat hair on them.
As anyone who owns a pet or has spent any time around hairy mammals can tell you, this is impossible. I don’t care how many lint rollers you have or how religiously you use one, some hair will always escape your efforts. Millicent must have supernatural powers if she’s able to keep her two humans and their very dark clothing from perpetually having orange hair on it.

Fact: Snoke intends to complete Kylo Ren’s training.
This entire line is a bit of misdirection on Millicent’s part. She orders Hux to go collect Ren from the blood and snow heap because she wants her humans in one piece but she also tells them to come to her. She doesn’t want to let them on the secret just yet so this is her keeping up the charade. The hologram can still be used wherever Hux and Ren have to go. She’s clearly very serious about training Ren though. His temper tantrums keep destroying computer consoles and do you know what warm and lovely spots those are for sleeping? Especially in freezing cold space? He must be trained to stop such destruction. Plus, every credit redirected towards repairs is another credit that won’t be buying her treats or catnip which is just rude.

Fact: Supreme Leader is exactly the smug sort of title a cat would come up with.
“Emperor” is just so three decades ago. Also, Supreme Leader is gender neutral and Millicent is all about gender equality. Species equality will be at the top of her list once she achieves galactic domination.

You may laugh but prepare yourself to be astounded and amazed when this theory is revealed as fact in Episode VIII or Episode IX. Or perhaps Pablo’s Twitter. The ramifications of something like this may be too dangerous and blow theatregoers’ minds if seen on the big screen. Just wait.

Hail Supreme Leader Millicent!

Art by coattailsofdoom on tumblr. That is the face of a cat with an evil plan and a mission.

Review: Obi-Wan and Anakin #2

Do you know what would have been a better title for this lovely comic by Charles Soule and Marco Checchetto? “Obi-Wan and Anakin and HOLY CRAP PALPATINE NO!”

After crash-landing on Carnelion IV, Obi-Wan and Anakin find themselves pulled into the middle of an intense battle between the Open and the Closed. It’s not long before it becomes clear that there’s more going on here than either group is letting on. In the past, young Anakin pays a visit to Chancellor Palpatine.

I wish that I could focus my musings on this issue to be more about the Carnelion IV parts but everything Soule is doing with Palpatine is incredible and he’s not even doing that much. Palpatine’s page time in this book is short but a combination of Soule’s writing and Checchetto’s art packs a hell of a punch. There’s a page that got an honest-to-goodness audible reaction from me and that doesn’t happen every week with comic books.  If Soule wasn’t already lined up to write Poe Dameron after this, I’d be clamoring for a Palpatine book from him.

That’s not to say that the main story isn’t good. I’m curious to see both where it goes and who exactly sent the distress call. There’s also clearly a ton of history between the two people that could likely make for a fascinating tale all on its own. It’s also fun getting to see Master and Padwan work together but also have their moments to shine.

The best compliment that I can pay this comic so far is that it’s not quite what I expected but it’s definitely something that has me impatiently waiting for more every time I finish an issue and if that’s not a solid recommendation from me, I don’t know what is.

Rebels Review: The Protector of Concord Dawn

SabineWrenIt’s been and up and down season of Rebels for me. Every now and then, there’s a great character episode I love to pieces, but mostly it’s been Ezra, Ezra, Ezra and more Ezra. This episode was a whole lot more of the former than the latter.

Sabine had an episode to shine earlier this season, but for large chunks of the second season run it feels like she’s been sidelined. That definitely isn’t true in this episode. We get a little bit of everything. Attitude and characterization for Sabine, Madalorian backstory, and even Kanan proving that Hera is his anti-Idiot ball.

The crux of the episode is the Rebels are searching for a new hyperspace route since the Imperials are cornering them left and right. Sabine suggests a shortcut through Mandalorian space, which prompts her to leave with Hera and Phoenix squadron to secure safe passage. The Mandos aren’t happy to see them, a few members of Phoenix squadron are killed, and Hera is badly wounded. Thus sends Sabine on a Western-style quest for vengeance. VENGEANCE!

I could keep breaking down the plot and the set piece detail, but let’s get into what made this episode so great. Sabine finally, after really a season and a half, had a chance to shine. She’s been begging Kanan and Hera for a chance to prove that they should trust her, and in this episode she made it clear why everyone needs to stop doubting her. Sabine is more than just an artist and explosives aficionado. She proves she’s smart and more in control of her emotions and surroundings than anyone has given her credit for.

If there’s something I’ll take issue with in this episode, it’s going to be something that has bothered me all season. Every episode seems to find a new way to sideline Hera. This time around, it’s putting her in the medbay. As great as this episode episode was, imagine how much better it would have been if it was Hera in Kanan’s place. Just let Hera do something outside of the one token episode about her, please.

Overall this is probably my second favorite episode of the season, right behind Wings of the Master,  and one of the better ones in the whole run. More character focused episodes, please!

The Fan Awakens

tfa-poster-horz-700x394

Editor’s note: This is a guest post by our friend Shannon Donahue, who created our Tosche Station logo!

I’m hooked. I’m a fan. I’m a Star Wars fan. I am a science fiction fan. It’s a big deal you guys.

Confession… I hated science fiction.

Like, I really hated it. It only took one (kind of awful) person I knew as a child to ruin an entire genre for me. I was sure that I could never have anything in common with that person so I sure as hell wasn’t going to like “stupid space stuff”. Nope, not me.

To me, science fiction had nothing at all to do with my life. I couldn’t see how these people in weird costumes or freaky alien makeup had anything to do with me. How on earth could I have anything in common with these people/things? Not only that, but I failed all my science and math classes in school.  My brain just doesn’t think like that. I like music and art and historical costume dramas. I hung on to this as a part of my personality for a really, really long time. It was just a part of who I was. I didn’t like Sci Fi. I was NEVER going to like Sci Fi.

The problem with that was my best friend was a HUGE Star Wars fan. Growing up she had all the books, she had the posters, she had the 3 ft Darth Vader statue that she hand made. She made a fan video complete with costumes. I didn’t get it. I was never going to get it and I didn’t want to. But when you love someone, you pay attention to the things they love. As we grew up and changed I learned a few things along the way. I might not have seen any of the Star Wars movies, but I knew enough about them to understand and play along. I knew the characters. I had a basic understanding of the plots. Slowly I had more and more friends who were HUGE Star Wars fans. In my group of friends I was the weirdo that didn’t like this stuff. I slowly began to realize that maybe, just maybe I was holding on to hating something for no good reason. I found myself painting Star Wars art for friends all the time. It was beginning to feel like every day I was having another conversation about Star Wars.

So, before I attended my first DragonCon four years ago, I sat down and watched the original trilogy. Dude, I didn’t hate it. Okay, I didn’t love it either, but I didn’t hate it. This was groundbreaking psychological shit for me. I felt free somehow. I realized I didn’t have to know space or science stuff. This was mystical, not scientific. I could get on board with this. But I still wasn’t really a fan.

Then I saw the first trailer for The Force Awakens. I thought I was just excited for my friends. Then the second and the third trailer. Oh Boy! As each trailer was released and then finally the movie, I fell more and more in love and here’s why…

Rey

I am so in love with her. Rey is exactly what I want in a female character. She’s soft and she’s hard. She does what has to be done with strength and determination. It seems to me that she has every reason to trust no one, but she flies into a terrifying new direction with new people and places and she does it with such amazing grace. I am in love with the fact that I can turn to my nine year old niece watching the movie and know that she is seeing herself and seeing a woman full of strength and kindness.

Finn

There is so much to love!  He’s funny!  He’s interesting! I love that this movie made you rethink good and bad and black and white. Finn helps us do that. He is a stormtrooper; we are supposed to pull against this guy, but somehow from the very beginning we don’t. We want him to succeed. We want him to find himself away from The First Order. The moment that Poe renames him is brilliant to me. I love that Finn is scared and silly and that he has what seems to be a limitless kindness.

Kylo Ren

Adam Driver does something with his presence and his voice that is both completely and totally terrifying and also completely vulnerable and broken. We know nothing about his story except who his parents are. That revelation breaks us. It breaks us for Han and Leia, but also for Kylo. What sort of hurt, what sort of lies must he be holding on to for him to turn so dark when he came from such love? This doesn’t feel forced or contrived to me but very, very real. Our parents are a part of who we are, but more than that our perception of our parents is a part of who we are. I still find myself wondering about Kylo Ren and who he must think his parents are if he feels he must turn from them so violently.

Family

I was going to write about Han and Leia and what I loved about them. I was going to write about Luke. But what I loved about them and every character in this movie is this: it’s a movie about family, not just the family of your birth but the family of your choice. You can choose to walk away from the family of your birth. You can choose to find a new family with your friends. I felt this so strongly throughout the movie. Obviously the other movies have been about family, but that always felt like it was just the Skywalker family.

I connected so strongly with this movie because I felt the bonds of family in almost every scene. The family that is forged between lifelong friends like Han and Chewie. The family that can be instantly created between new friends as we see with Finn and Poe and then again with Finn and Rey. Our families, no matter how they are created, are our strength and our weakness.

The Look

I loved the look of the movie. I’m a visual person and this kind of stuff is important to me.  

  • BB8 is not only the most charming thing I’ve ever seen outside of a Pixar film, it’s also genius in its simplicity. It’s nothing but circles and a few rectangles and somehow it emotes better than most humans I know.
  • Maz Kanata’s Palace is another example of the look that I love. Flying into that land and walking up to the front doors felt real and magical. Then you find yourself in a dive bar! I loved it. Lupita Nyong’o was perfection as Maz. I want to sit and have shots with her, I want her to look into my eyes and see more than I see. I want her to teach classes at my local metaphysical book store.
  • The dreaded catwalk scene with Kylo and Han is pure lighting genius.
  • The last 5 minutes of the movie on Skellig Michael. Your heart is in your throat, your eyes are burning with hope and the unbelievable beauty of that place. Then your eyes are burning because of the unbelievable acting from Daisy Ridley and especially Mark Hamill.

I could never put my finger on what didn’t capture my interest in the original trilogy. It took this movie to show me. Just as a Jedi must not deal in absolutes, why must these movies? The Jedi and the Rebellion are good and everyone else is bad. The universe that has been expanded by The Force Awakens feels more real to me because there are no absolutes. A stormtrooper can be the hero. The villain can be a Skywalker/Solo. There is Darkness in the Light. There is light in the darkness. This movie perfectly captured that to me and I hope that it is indicative of how the rest of these movies will go.

What I learned about Star Wars and about science fiction is this: it isn’t necessarily about space. It isn’t necessarily about war. It isn’t about science and it doesn’t feel like fiction. These stories are about people dealing with life. Life with some crazy shit going down. Just like my life, minus the hyperdrive.

** edited to leave out the three pages of POE IS HOT! SNAP IS THE BEST! X-WINGS, YAY!