Rebels Review: The Future of the Force

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Rebels season 2 has really been hitting its stride these past few weeks, and The Future of the Force was just the latest of a line of great episodes.

From baby Ithorians, to speeder chases, to Ahsoka kicking butt in a way that is so like the young padawan we once knew, this episode has a lot going for it. Despite the lack of Hera and Sabine, there’s plenty of Ahsoka and a good amount of the Seventh Sister, too.

In this episode Ahsoka informs Kanan that she’s been monitoring transmissions from Mustafar to try and learn more about the Sith Lord, and has learned the Inquisitors have a mission beyond hunting Jedi which involves retrievals, though of what she’s not sure. She has two decoded sets of coordinates, and while she heads to one she tasks Kanan, Ezra and Zeb to check out the second on the planet Takobo.

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Literally the best trivia to ever come out of Star Wars. Source.

It doesn’t take long for Ahsoka to learn what the Inquisitors are doing: stealing Force-sensitive babies, similarly to how Palpatine tried before in the The Clone Wars episode, Children of the Force. On Takobo, Zeb finds the first kidnapped baby with the Inquisitors’ ships while Kanan and Ezra find a distressed Ithorian, Oora, who sent her child, Pypey, away before the Inquisitors arrived.

The rebels find the child, but are almost completely defeated by the Inquisitors before Ahsoka arrives, emerging from white light like some kind of guardian angel. Where the Seventh Sister easily disarms Kanan, the Inquisitors hardly seem a threat to Ahsoka. She is an extremely capable fighter, with a great command of the Force, and it’s great to see her in some real action in this episode. Her little Obi-Wan moment made my heart skip a beat though. Don’t scare me like that, Rebels!

Ending with everyone safe and sound on an at first hopeful note, the episode takes an ominous turn when the Inquisitors learn that the Ghost crew are hiding out on Garel, thanks to one of the Seventh Sister’s probe droids overhearing Ezra. The music during this scene is on point, but then the entire episode has a pretty great score, especially during Ahsoka’s entrance and fight with the Inquisitors. 

While quite an intense episode with hints at darker things to come, there are still lighthearted moments in typical Star Wars style. Zeb and Chopper, as always, are a great comedy duo, and the brotherly relationship between Ezra and Zeb is always sweet, if not frustrating when they argue.

Despite Ezra still being his typical, somewhat immature self, it’s nice to see the kid grow throughout this season (and the last). Even though he has trouble at first, he manages to calm Pypey in the midst of very real danger using the Force, showing his ability to find calm in even the most desperate situations and his use of the Force growing stronger. He’s even willing to take on both of the Inquisitors alone to try and save the child, though he obviously doesn’t stand a chance.

I like seeing his interactions with Ahsoka, though they are brief. The little details in the way characters interact within Rebels, such as Ahsoka’s wink at Ezra, deepen relationships in a nuanced way. Ahsoka likely sees a lot of her younger self in Ezra—headstrong, brave, but so determined to become a Jedi—and seeing her playful side come through with him is very sweet.

Chopper is still absolutely a terrible droid, suggesting they blow up the Inquisitors’ ships with the baby, Alora, still inside. But literally nobody is surprised by Chop’s lack of empathy or casual disregard for human life anymore.

The most interesting part of the episode for me was when the Seventh Sister asks Ahsoka, “Well, who doesn’t want to be a mother?” While this could be a throwaway line, I do wonder if there’s something more to the Inquisitor hierarchy, already with titles like Brother and Sister. Perhaps they have some kind of dark family, related not by blood but by ambition and brainwashing.

All in all, a great episode with a lot of action and maybe a little too much of crying babies, though one thing I did find weird was Alora’s grandmother, Darja, looking relatively young. I was somewhat surprised when the Seventh Sister called her “old one,” and it wasn’t until Darja stated Alora was her granddaughter that I realised she was meant to be older. Guess that anti-aging cream really does work in a galaxy far, far away.

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Drinking Quest: Interview with Jason Anarchy

There’s not much I enjoy more than a round of Dungeons & Dragons (or, no doubt, Of Dice and Droids) with a bottle of cider at my side, but there’s probably not much my DM and co-players hate more than a tipsy Saf making critical decisions. When I first heard about Jason Anarchy’s Drinking Quest, I near leapt from my seat with excitement. A role-playing game that is also a drinking game is right up my friends’ and my collective alley.

With an emphasis on responsible drinking and an easy system that can be picked up in the first couple minutes, Anarchy has built both a humorous and smart card-based tabletop RPG perfect for a Friday evening with the gang.

Though Anarchy is Canadian, PAX Aus gave me the opportunity to interview him and talk to him about both Drinking Quest and other tabletop games.


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Quick and Dirty Impressions: Jakku Spy and Google Cardboard Drops you in the GFFA

A little earlier this week, I got a nifty surprise courtesy of Lucasfilm and Verizon: a set of four Star Wars-themed Google Cardboard viewers. I’ve been reading about this initiative from Google for a while. The Virtual Reality scene seems poised to explode, with development initiatives such as Occulus VR and Samsung Gear VR aiming to bring the science fiction future we’ve been dreaming about since Tron to your home.

Kylo, BB-8, Stormtrooper, and Artoo designs

Kylo, BB-8, Stormtrooper, and Artoo designs

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Star Wars: Industry Prophet

My hopes for The Force Awakens are somewhat broader than simply hoping the film is entertaining, or that it ushers in a new era of quality Star Wars live-action content the likes of which hasn’t been seen since 1980. Each Star Wars film, good or bad, has had a considerable impact on not only the pop culture conversation, but on the disposition and direction of the film industry itself. The idea that The Force Awakens will be no different seems a foregone conclusion. My hope, then, is that the resulting shift is a positive one.

Look out New Hollywood, the Stormtroopers are coming!

New Hollywood was NOT trampled under the jackboots of the Stormtroopers, despite what some critics and historians claim.

Even claiming the Star Wars films were responsible for those shifts in the industry is an oversimplification. The first Star Wars film, in 1977, is often cited as the death knell of the “New Hollywood” era, a period auterists tend to look on as a golden age of cinema, when filmmakers were given the creative freedom to realize their artistic visions without much, if any, studio oversight. Easy Rider, The French Connection, Taxi Driver — even films such as The Exorcist and The Godfather are considered part of this wave of unbridled creativity and artistic freedom. And then, if you believe certain critics, Star Wars came along — a big-budget, crowd-pleasing “popcorn” film of dubious artistic merit — made a ton of money, and ruined everything for the “serious” filmmakers.

Films like William Friedkin's The French Connection were an example of studios' "hands off" policy during the '70s. [20th Century Fox]

Films like William Friedkin’s The French Connection were an example of studios’ “hands off” policy during the ’70s. [20th Century Fox]

This is, of course, not precisely fair. The shift away from “New Hollywood” and complete creative control from filmmakers was already well under way by the time Star Wars came along. Disastrous productions like Apocalypse Now, and self-indulgent bloated flops like Heaven’s Gate were the primary catalysts for a re-establishment of studio control. Huge moneymakers like Jaws, Grease, even Rocky, helped pave the way for the era of the “blockbuster”. And the then-unheard of practice of wide-release — that is, releasing a film simultaneously in theatres across the county — standard practice today, of course, was not pioneered by Star Wars or even Jaws, but by The Godfather.

Francis Ford Coppola's The Godfather pioneered the now-standard practice of wide release. [Paramount]

Francis Ford Coppola’s The Godfather pioneered the now-standard practice of wide release. [Paramount]

It may be more fair, then, to look at a new Star Wars film (or, perhaps more practically, a new Star Wars trilogy) as less the direct catalyst for a shift in the industry, but more as a signpost, an indication of which way the wind is blowing. Computer-generated special effects were not exactly new when The Phantom Menace came along; morphing effects had long been used in films like Terminator 2 and Star Trek VI; Jurassic Park, Jumanji, and Dragonheart all featured computer-generated creatures; and even Independence Day, praised for it’s realistic practical effects, utilized computers to generate the F-18 Hornets, missiles, debris, and other elements. Indeed, digital effects had already been introduced into the Star Wars universe by way of the Special Editions. The CGI effects in The Phantom Menace were undoubtedly more numerous (and more noticeable) than in any film that had come before, but films like Titanic, The Matrix, and The Mummy were already proving that more complicated effects could be created using computers. If The Phantom Menace hadn’t pushed the proliferation of CGI forward, something else would have.

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We have Jar-Jar to thank for The Lord of the Rings. Kinda.

So, what are my hopes for The Force Awakens? My hope for The Force Awakens is that it gives me hope for the industry as a whole. Studio films are becoming larger and more unwieldy as time goes on. Blockbusters are all the studios are producing nowadays, at the expense of low or even medium-budget films. Most key, quality has been replaced by spectacle, nuance by noise, character by destruction. Now, a shift away from this is an unrealistic expectation to place on a well-known, highly-anticipated franchise film with a huge special effects budget and owned by one of the largest companies on the planet.

Films like Man of Steel and Star Trek Into Darkness (pictured) proved that bigger isn't always better. [Paramount]

Films like Man of Steel and Star Trek Into Darkness (pictured) proved that bigger isn’t always better. [Paramount]

But what if Kasdan and Abrams bring nuance and character back to the blockbuster? What if the change in the air predicted by and reflected in this film is of a smaller and more manageable scale for big-budget studio extravaganzas? I’m not expecting Star Wars to make studio heads suddenly start pouring their resources into smaller films — how could I, since Star Wars is, at this point, as big as it gets (and is primed to make truckloads of money)? If anything, The Force Awakens would seem primed to reinforce what studio heads already believe — that bigger is better, and original scripts are a loser’s game.

IS an awakening coming?

IS an awakening coming?

But what if there’s a sign, a hint woven into the fabric of the film, a quality to the movie’s texture — something, anything that might indicate this industry is stepping back from the abyss it finds itself teetering at the edge of? I’m grasping at straws, I’m well aware. But the industry can’t sustain this “bigger is better” business model for much longer. The bubble is going to pop. I’m not claiming the “death of cinema” is on it’s way, but a change is coming. Realistically, it has to be. And what if The Force Awakens is, in some small way, a harbinger of that change?

Star Wars has always been a signpost of things to come. My hope for this film, in a nutshell, is that the signs are good ones.

I’m Terrified to Watch The Force Awakens

star-wars-force-awakens-official-posterI love Star Wars. I really really really love Star Wars. And I love a lot of Star Wars. I may have some kneejerk bad reactions to some aspects of it but I’m really easy to please when it comes to reading a new book or experiencing something new. If it’s Star Wars, if it feels like Star Wars, and if I enjoy it, I’m happy. I also unabashedly love the Prequels. If you want to see me go from 0 to 100, just suggest in my presence that they should be skipped when showing someone the movies for the first time. Those movies, just like the Original Trilogy, were a huge part of my childhood and I can’t imagine loving Star Wars without them.

And that’s where the fear comes in. I am terrified to watch The Force Awakens because of the very slim chance that I won’t love it.

Yoda kinda nailed it with his whole “truly wonderful the mind of a child” comment in Attack of the Clones. Kids don’t overanalyze films like Star Wars and they probably don’t spend months and months before the release hearing little tidbits and piecing together parts in their minds. I was 9, 12, and 15 years old respectively when the Prequel films came out and I instantly fell in love with each of them. Part of that had to do with being so young and having zero expectations about what I’d see in each movie. (Well, I knew that Anakin was going to fall to the Dark Side and I was pretty sure that everyone was going to die in Revenge of the Sith. Went two-for-two on those revolutionary predictions.) As so many others before me have noted, none of us know what to expect from these films. For the first time since 1977, we’re all going in blind for a brand new Star Wars story that could take us anywhere.

But what if I don’t like it? What if I have to change my standard “I love all of the Star Wars movies!” to “I love most of the Star Wars movies!”? What if I fall to the dark side and become the thing in fandom I hate most: someone who focuses more energy on something they don’t like instead of what they love?

Okay so that last one’s never going to happen. I can at least take solace in the fact that the chances of me becoming one of those people are approximately 3720 to 1. I’ll probably at least somewhat like it. Probably. Hopefully. Is this what a preemptive crisis of faith feels like? I think this is what one feels like. I don’t like this feeling. Someone take it away. And take this fear I have of not loving The Force Awakens with it!

But I digress because, as our editors here are sure to soon tell me, that’s not the point of this series. We’re supposed to be talking about what our hopes are for The Force Awakens and not our somewhat irrational fears. The good news is that the movie is already delivering from the trailers alone. We’re getting kickass female leads, X-Wing battles, blazing lightsabers, and the return of Leia Organa. In fact, they’ve already gone one further and given me Jessika Pava who shall now be referred to as the Hapa Pilot Queen of My Heart. Add in a very impressive cast and crew and all the signs point towards this being another awesome peace of the Star Wars puzzle. So, at the end of the day, what’s my hope for Episode VII?

Please, sweet baby Yoda, just let me love this Star Wars movie as much as the rest.

Review: Star Wars #13

Vader Down continues this week as Jason Aaron and Mike Deodato take over again and oh my word, this issue is fun!  Despite the lovely cover by Mark Brooks, there’s not much of Leia or Vader in this issue.  Instead, it focuses mostly on Dr. Aphra and the Murder Bots versus Han Solo and Chewbacca.  The stakes?  Luke Skywalker and Artoo.

The entire issue is just delightful.  At times, it’s actually incredibly funny despite the decidedly unfunny circumstances but it still works.  We get BeeTee versus Artoo! (And you thought Artoo and Chopper were different…)  We get Chewbacca versus Triple Zero… aka a protocol droid that he doesn’t feel obliged to not rip apart!  And finally, we get Han Solo versus Dr. Aphra which is everything I ever wanted but never knew to ask for despite us as readers being told that she’s a dark mirror version of Indiana Jones from the start.

Star Wars #13 is a bit of a change from the rest of the Vader Down event so far.  It’s a nice breather from being terrified of Vader (although the next issue promises to do that again.)  While some more uptight readers may be put off by some of the humor that verges a little more on slapstick, I found it refreshing and just plain fun.  When else are you going to get to see Chewie go after a droid and [REDACTED]?  Aaron even nails the essence of Han Solo when he makes an ever so slight miscalculation while being so smug and certain.

I also have to take a moment and take Deodato for not only rocking the hell out of this book so far but for also drawing Aphra wearing that rad jacket that Adi Granov used for the cover of Darth Vader #3. It’s finally in the book!

Just like Marvel promised us, Vader Down continues to be an awesome crossover event and definitely one that you should be picking up.

Review – Star Wars Rebels: Stealth Strike

rebels logoHow do you please totally disparate segments of fandom all at the same time? You write Stealth Strike.

There’s a little something for everyone here. Rex reliving his military days and putting on his Big Damn Hero pants. One former clone trooper against an entire starship worth of stormtroopers? Sign me up. Kanan confronting the ghosts of his past by being forced to trust Rex? Check. A loving nod to the Death Star corridor chases? Yup. An Interdictor on trial runs that hearkens back to classic Expanded Universe material? Double check.

I’ve called Rebels a bridge series several times. It’s designed to be a link to the past, present, and future. This episode is full of nods to The Clone Wars, but its triumph is a brilliant homage to the Death Star escape in A New Hope. Corridor chases, sneaking around to disable critical infrastructure. You can show this to a young fan that’s new to Star Wars, ask them if they enjoyed it, and when they respond affirmatively you tell them you’ve got a great movie to show them.

That’s the brilliance of Stealth Strike and Rebels as a whole.

I could do a more detailed plot breakdown of this episode, but the plot really is secondary in this episode. We see some new Imperial tech, we get a fun rescue adventure, but what’s important is this episode is a 22-minute textbook example of Rebels succeeding at one of its most important goals.

Miscellaneous notes:

  • Ezra really is a whole lot more tolerable and entertaining when he isn’t acting like he’s deserving of Sabine’s attention and affection. When he’s doing his job, he’s great.
  • I need a gif of Rex shaking his boo-tay trying to fit into stormtrooper armor.
  • How cool was that shot of the Interdictor collapsing on itself? Extremely cool.
  • Chopper: sadistic droid or most sadistic droid?

Review: Shattered Empire

shatteredempire1Shattered Empire by Greg Rucka and Marco Checchetto (with additional art by Angel Unzueta and Emilio Laiso) was a heck of a lot of things. The comic contribution to the Journey to The Force Awakens, Shattered Empire takes place in the weeks following the Battle of Endor and lets readers see what the galaxy is like through the eyes of A-Wing pilot Shara Bey.

At New York Comic Con this year, Greg Rucka revealed that his original pitch didn’t actually involve Han, Luke, and Leia and he asked to rewrite his outline once he saw the Phil Noto teaser image that went on to serve as the cover for the first issue. After hearing this, it wasn’t terribly surprising that Shara had a chance to work with each of our favorite heroes in turn. Given how much I liked her though, I would love to have seen whatever his original pitch was just for kicks.

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Review: Darth Vader #13

Look, let’s be honest: Vader Down is essentially Jason Aaron and Kieron Gillen sitting across a table from each other while grinning diabolically and going “Oh, you had your artist draw Vader doing that cool thing? JUST WATCH WHAT I’M GOING TO HAVE MY ARTIST DRAW!” Alternatively, just imagine this as a Pokemon fight with Larroca and Dedato as the Pokemon and Aaron and Gillen as the trainers.  (I should probably admit that I never played Pokemon or watched it or… this metaphor has gotten away from me.)  (Ten thousand bonus points go to the first person to photoshop this.)

Point is, Vader Down continuing to be an awesome crossover event with the release of Darth Vader #13 by Kieron Gillen and Salvador Larroca.  As you may have guessed from the opener, this comic is filled with plenty of instances of Vader being badass.  Moments like these really emphasize why people are scared of the Dark Lord of the Sith.  Of course, it wouldn’t be a Vader issue if we didn’t get more of Dr. Aphra and the Murder Bots.  They have some particularly fun parts in this issue that I won’t spoil for you.

One of the best moments in the comic was when Gillen got to play with characters he previously hasn’t been able to: Han and Leia.  Their disagreement about whether to go after Vader or to send a rescue mission for Luke really just nails the essence of who they are especially in these early months after the Battle of Yavin.  Leia is focused on the Alliance’s mission and vengeance for her people while Han’s more concerned about this farmboy he’s taking a liking to.

Oh yeah.  And did I mention all those glorious pages of Vader just stomping all over everyone?  Because those were pretty great.

Review: Chewbacca #4

It’s been two weeks which must mean it’s time for the release of Chewbacca #4 by Gerry Duggan and Phil Noto!  (On a personal note, I’d like to add that both gentlemen are incredibly nice and I’m thrilled to have had the chance to meet them at Third Eye Comics the other weekend.)

Like I said last time, this book is tricky to discuss on an issue by issue basis so we’re just going to dive straight into some assorted observations.

  • Joe Caramanga has got to be having fun lettering all of Chewie’s speech.
  • Yay for the inclusion of Scout Troopers and an AT-ST!
  • Again, the use of a character with a disability is deftly handled and feels very realistic for this galaxy.  Really smart addition by Duggan.
  • Chewbacca’s disguise is brilliant and everything I never knew I wanted until now.
  • Zarro and Chewie’s plans really have an incredibly way of going wrong.  I’m impressed.
  • The poor droid!
  • The inclusion of a shistavanen in this book has been neat!  It’s nice to see artists/writers go a little further out of the usual alien box.
  • Phil Noto’s art is another wow.

Going by the end of the issue and the preview for the final issue, Chewbacca and Zarro are certainly going to have a hell of a time getting out of this mess!