Review: The Star Wars #2

The Empire Strikes in the second issue of The Star Wars as Jonathan Rinzler and Mike Mayhew continue to tell and adapt the story of George Lucas’s original draft.

That’s no moon that’s rapidly approaching the planet of Aquilae.  The Empire has made its move and now General Luke Skywalker is scrambling to get the war codes from King Kayos so he can mount a proper defense.  Meanwhile, Annikin Starkiller is sent to retrieve the recently departed Princess Leia and bring her back safely from school.  General Darth Vader presses the Empire’s attack and things are not looking well for Aquilae or for two familiar looking droids who’ve found themselves in the middle of the space battle.

One of the things that makes this book fun is how Rinzler isn’t afraid toss in a familiar iconic line or at least an incredibly strong allusion to one.  The story feels distinctly different enough from the A New Hope we all know and love that the sly little nods are a nice little tie back instead of feeling groan worthy.  We also get to see snippets of scenes that survived from the rough draft into the final film which are another element that helps readers remember that this is a sort of alternative universe Star Wars.  Overall, Rinzler’s writing is a definite check mark in the positives column.

Mike Mayhew continues to be the perfect choice to draw this book.  His clean lines and overall art style give that slightly retro feel to it.  It meshes well with its status as the adaptation of a rough draft.  The costume design is also quite fabulous.  In particular, General Skywalker’s uniform stands out. It’s not terribly similar to the Jedi robes but still manages to have a similar feel while looking cool.  I wouldn’t be surprised if we see a cosplayer or two sporting the look at future conventions.  Leia’s outfit is another standout with a corset element to her look that almost feels like a steampunk influence but still fits with the overall outfit to give off that ‘Princess of Aquilae at her university’ vibe.  There is nothing negative that I could possibly say about this art.

The characters are definitely one of the most intriguing aspects of the book though.  We’re only two issues in and I’m already finding myself to be quite fond of this older Jedi General version of Luke Skywalker.  He’s definitely not a farmboy but rather an established and respected leader.  Princess Leia is perhaps the least changed from the films and is her usual stubborn yet sassy self and is a nice thread of continuity.  On the other hand, we have Annikin Starkiller who is, for a lack of a better term, infuriating.  His people skills seem to be a bit… ahhh… questionable.

Above all though, it was fun to see Threepio and Artoo for the first time.  It’s really quite strange seeing Artoo with dialogue instead of beeps and deets.  We seem to be heading towards a part of the story that we’re more familiar with so I look forward to seeing how their part in the story changes with no Obi-Wan Kenobi and no farmboy Luke Skywalker to carry the story along.

Again, I recommend picking up this book if the concept even remotely intrigues you.  Rinzler and Mayhew are making it worth it.  (And hey: if you needed another reason, context clues indicated that we’ll be meeting Han Solo soon.)

Rebels, Live Action, and Episode VII Rumor Roundup

rebels logoAnd here we go.

First up, the big Rebels rumor right now is that the series may have a timeline placement. Making Star Wars (via the Bleeding Cool podcast) puts it around 8 years after Revenge of the Sith. Is this true? Who knows, but perhaps clarification is coming out of New York Comic Con next week.

Meanwhile in Episode VII land, Jedi News’ insider claims that Pinewood Studios will be handing the Cinderella stages over to Lucasfilm in November.

Rounding things out, a live-action Star Wars rumbling. According to Blue Sky Disney (via Club Jade), the success of Agents of S.H.I.E.L.D has Disney thinking about reviving the long-in production, long-on-the-backburner live action Star Wars television series. The trick? It would have to be retooled to be less dark so it could air on ABC.

UPDATE: Apply your grains of salt, but it’s rumored today that Saoirse Ronan, Ben Kingsley, and Sullivan Stapleton have read for Episode VII parts.

Review: The Making of Return of the Jedi

makingofrotjWith The Making of Return of the Jedi, J.W. Rinzler rounds out his trilogy of “making of” books that have become essential to Star Wars fans and film aficionados alike. Does this installment live up to the high standards set by its predecessors, The Making of Star Wars and The Making of The Empire Strikes Back? Find out after the jump.

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Kotaku profiles LucasArts’ collapse

LucasartsThe shuttering of LucasArts still stings for a lot of fans. Many hold Disney accountable for closing the venerable game studio, but did problems for the developer begin before the sale? According to a Kotaku profile by Jason Schreier, LucasArts was in trouble years before Disney came into the picture.

Over the last five months, I’ve talked to a dozen people connected to LucasArts, including ex-employees at the company’s highest levels, in an attempt to figure out just how the studio collapsed. Some spoke off the record; others spoke under condition of anonymity. They told me about the failed deals, the drastic shifts in direction, the cancelled projects with codenames likeSmuggler and Outpost. They told me the stories behind the fantastic-looking Star Wars 1313and the multi-tiered plans for a new Battlefront starting with the multiplayer game known asStar Wars: First Assault.

All of these people helped paint a single picture: Even before Disney purchased LucasFilm, the parent company of LucasArts, in November of 2012, the studio faced serious issues. LucasArts was a company paralyzed by dysfunction, apathy, and indecision from executives at the highest levels.

It may not have been just 1313 and First Assault that wound up meeting untimely demises either:

In news that will certainly crush anyone who enjoyed LucasArts-branded adventure games, the team at LucasArts Singapore was working on a remastered version of the classic point-and-click game Day of the Tentacle, according to three people familiar with that project. Like the special editions of the first two Monkey Island games, released in 2009 and 2010, the remastered Day of the Tentacle would be pseudo-3D, with remade background art and cut-scenes redone to run at 30 frames per second…

…The list of cancelled projects goes on and on. There was Smuggler, a game designed for cross-platform multiplayer that would let you play as a customizable character within the Star Warsuniverse, smuggling and trading between Facebook, tablets, and consoles.P

There was Outpost, the Star Wars take on Zynga’s FarmVille that would let players build empires, one click at a time.P

There was Death Star, the iOS game in which you’d get to control your very own version of the Empire’s iconic space station.P

There was the online service that would be LucasArts’ very own version of Origin, EA’s network for distributing games and servicing online multiplayer. Like Origin for EA, this LucasArts-branded network would help the company distribute Star Wars games and in-app purchases. According to one person familiar with plans for this network, it would have launched alongside Star Wars: First Assault, which would have had some sort of microtransaction store.

Shortly after LucasArts closed, I cautioned fans not to blame Disney. The anger was understandable, the studio closure came right on the heels of The Clone Wars getting cancelled. From my outside perspective, it looked as if LucasArts had been in trouble for years and issues had cropped up almost a decade earlier. This piece by Kotaku lends more to the idea that the company had merely been on life support from Lucasfilm for some time.

Be sure to read the entire Kotaku profile, there’s a whole lot more there that paints a much clearer picture that the problems that befell LucasArts come from within, not from Disney.

Tosche Station Radio #70: Pilot

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On this episode of Tosche Station Radio, it’s a look Agents of S.H.I.E.L.D and other television pilots!

Kicking off the show, the hosts discuss what’s New on the Blog. It was Razor’s Edge release week, so we’ve got our usual Go/No-Go spoiler-free take on whether you should buy the book or not, a review from Bria, and a look at how Martha Wells’ use of Leia differs from Brian Wood’s interpretation in the Star Wars comic. Bria also reviewed the latest issue of Star Wars Legacy.

In Fixer’s Flash, both the hosts got in on the Agents of S.H.I.E.L.D viewing party. There was also a day at the Disney parks crammed in there somewhere.

Deak’s Dirt starts with the usual: Episode VII casting rumors. There was a Wookiee casting call, rumors of David Oyelowo being cast in both Episode VII and Rebels, and more rumors about the main Rebels voice cast. And even more we don’t have the time or gumption to mention. Dark Horse announced that a new comic series will continue the story of Firefly, picking up where Serenity left off. As we previously discussed, Razor’s Edge released this week. We’ll be doing a roundtable discussion within the next few weeks (once Nanci gets off her butt and reads the book). Up next is JW Rinzler’s The Making of Return of the Jedi out on October 1. Jennifer Heddle announced on Twitter that there will be a sequel to William Shakespeare’s Star Wars, titled The Empire Striketh Back.

This week on Camie’s Concerns, Wrong Opinions About Movies’ host Alli joins us to talk television pilots. The discussion starts with a look at Agents of S.H.I.E.L.D and then dives into other pilots that may have been more or less effective.

Review: Star Wars: Legacy #7

Legacy continues today with the release of Issue #7.  Rest time is over as Corinna Bechko and Gabriel Hardman set our heroes off on their next adventure in pursuit of Darth Wredd.  But honestly, after that cliffhanger at the end of the last issue, who wants to waste any more time with this introduction?  On with the review!

This review contains mild spoilers for the issue.

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Compare and Contrast: Leia in 2013

comics_star_wars2013 was a big year for Leia in the Expanded Universe. First up, we got the Brian Wood written Star Wars comic, which Bria and myself were less than impressed by. Today we got Razor’s Edge by Martha Wells, which we were significantly happier with. Why the difference in reactions? Simply put, it boiled down to how Leia was used and characterized. To see what we mean, head below the cut.

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Review: Razor’s Edge

Razor's EdgeIt’s been hard in recent years to find a characterization of Leia Organa that just feels right.  It’s also been hard to find a story about our Original Trilogy heroes where the stakes are high (but not ludicrously so) and where the galaxy doesn’t have to be put completely back together again at the story’s end or, in other words, a fun adventure story.  Martha Wells delivers on both of these counts in Empire and Rebellion: Razor’s Edge.  It’s a book where the story is important enough to warrant several hundred pages but it’s also a book that will make you laugh one page, smile another, and then perhaps duck your head and hide a tear for Alderaan.  (Or maybe that last one is just me.)

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