Book Wars Pod, Episode 158: Did You Notice Your Arm’s Gone?

This week, we’re discussing Star Wars: The High Republic, a comics series from IDW written by Daniel José Older. What do visuals add to our understanding of this era of Star Wars? What should become of Force-sensitive children whom the Jedi won’t train? Why is Krix the worst? Listen for our thoughts on these topics and more.

The cause we’re highlighting for this episode is Brigada Solidaria del Oeste (BSO). They are a mutual aid group asking for donations of emergency essentials for residents, including first-aid kits, water filters, solar lamps and water purification tablets. In addition to emergency essentials, the organization is also welcoming monetary donations as another form of direct aid and support to their PayPal: brigadasolidariaoeste@gmail.com.

For a list of black-owned bookstores to order from, now and always, click here.

To download this episode, click here.

Book Wars Pod explores the Star Wars universe through the franchise’s non-screen media: the canon novels, comics, and video games. Check out our guide to past episodes, and subscribe on iTunes, Google Play, Stitcher, and wherever else you cast your pods. You can also subscribe to the Tosche Station Radio Mega Feed on iTunesGoogle Play, or Stitcher for more great shows from our podcast network.

Follow us on Twitter and Instagram for episode updates! Hosted by Chris SedorKate Sedor, Rana LaPine, and Miranda Eldon. Audio and production by Kristen McDonell. Art by Joe Butera. Music by Podington Bear.

This podcast has been brought to you in part by your support on Patreon!

Holonet Blast #79

After the glut of news from New York Comic Con, this week’s post was supposed to be relatively short and sweet. Then Chuck Wendig was fired by Marvel. So…yeah. Let’s jump right into that and get it over with.

Just last week we learned that Wendig was writing a new miniseries called Shadow of Vader. He can explain what exactly happened better than I can summarize it, both on his Twitter and his blog. Suffice it to say, an editor at Marvel was displeased with the negativity brought on by his Twitter feed and dropped him from the final two issues, as well as an unannounced project. Not necessary because of what he tweeted, but how he tweeted it (though that claim by Marvel seems a bit dubious). Because of this we at Tosche Station will no longer be covering Marvel comics on the blog; Brian posted a comment on that immediately after learning about Chuck’s firing.

This situation is very disappointing for a myriad of reasons. The emphasis on being “civil” no matter what the cost, the willingness to capitulate to Comics Gate, firing someone for social media when their persona was already well known upon hiring. While I am not a comics reader, I appreciated Chuck’s contributions to Star Wars and am saddened this may mark his last job in the universe.

In other, less disappointing news, Jedi Knight Revan joins the Galaxy of Heroes mobile game. This addition is to celebrate the 15th anniversary of the Knights of the Old Republic game. (Side note: 15 years? Holy crap.) According to Star Wars dot com, the “Legend of the Old Republic” event begins October 18 with a series of six events loosely based on the Knights of the Old Republic storyline, plunging players deep into familiar locales like the sewers of Taris and the ancient Sith tomb on Korriban.

Lucasfilm announced its newest ILMxLAB offering, Project Porg. According to Star Wars dot com, it’s a mixed-reality immersive experiment in which you’ll need to gain the trust and affection of your porgs. How? You’ll feed them treats, play with them, and you’ll also teach them how to maneuver real-world environments with care instructions from C-3PO himself. So basically neopets but with porgs? Sounds brilliant! You can find Project Porg in December as a free download for the Magic Leap One.

That’s all for this week’s Holonet Blast. Hopefully next week’s won’t be as dramatic.

Review: Lost Stars Manga (Volume 1)

You may recall the 2015 young adult Journey to the Force Awakens novel Lost Stars by Claudia Grey. You may recall Nanci recommending that you pick it up in her review of that novel. Well, guess what: it’s now a manga.

More specifically, it’s been adapted into a webcomic, published by LINE, by manga creator Yusaku Komiyama, and the world outside of Japan has finally gotten a taste of this adaptation in standard-manga-sized volume 1, published by Yen Press, and it’s…okay.

THE STORY

This is not a straight adaptation (for which I am very grateful. I strongly believe that material should be adjusted to fit the adaptation format. Would you like to see my hour-long powerpoint presentation on the Slayers NEXT anime versus the novels?). It does stick to the story but volume 1, at least, is presented as a framed story, with Thane recounting the past to his friend and snowspeeder gunner, Yendor (who I love in this). As such, it heavily focuses on Thane’s perspective of the story rather than splitting evenly between Thane and Ciena. You do occasionally get other points of view, but Thane’s thoughts are the only ones laid out explicitly on the page. Continue reading

Holonet Blast #12

Welcome to another installment of the Holonet Blast! I have returned to dry land to only two pieces of Star Wars news from Marvel – nothing nearly as major as J.J. Abrams being named director of Episode VII, but what will ever top that, truly?

First off, Mace Windu is the latest character to receive the miniseries treatment. Star Wars: Jedi of the Republic: Mace Windu is a new five-issue series coming in August, written by Matt Owens and illustrated by Denys Cowan. It’s set just after the start of the Clone Wars, so expect an action-packed miniseries where the Jedi have to learn to accept their new roles as soldiers.

For over a thousand generations, the Jedi have been the peacekeepers of the galaxy…but now, at the dawn of the Clone Wars, they find themselves in a new role: generals in the Army of the Republic. As Mace Windu, one of the Jedi’s greatest warriors, leads a small unit of Jedi into battle shortly after the war begins, the Jedi must make peace with their new role, or be lost to the violence around them!

The second bit of Marvel news jumps a bit farther ahead in the timeline. Star Wars: Rogue One — Cassian & K-2SO Special #1 is a 40-page short that tells the story of how – you guessed it – Cassian met K-2SO. Also released in August, it’s written by Duane Swierczynski with art by Fernando Blanco. Prepare to have your head-canons smashed!

A few other items on starwars.com caught my attention this week. First, James Floyd interviewed Greg Rucka, author of Guardians of the Whills, as well as Beth Revis, author of Rebel Rising. They’ve also got an interview with Pablo Hidalgo about how the real-life history of the atomic bomb inspired Rogue One. Finally, if you weren’t able to attend Celebration, the official YouTube channel recently published the full Animated Origins and Unexpected Fates panel.

Holonet Blast #5

Only a few items of note this week, so let’s get to them!

OMAR JOINS HAN

Michael Kenneth Williams, perhaps best known as Omar on The Wire, has joined the as-yet-untitled Han Solo spinoff film! That’s literally all we know; no character hints whatsoever. Seems like LFL is at least starting to get the “wow, that’s a lot of white folks” memo, though. Faster than Marvel is, at any rate. (Source)

via StarWars.com

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Review: Darth Maul #1

Maul is one of those characters where it seems like most people either love him or can’t stand him anymore. I personally fall into the second category mostly because I don’t know why he keeps not dying. But hey! A pre-TPM story about him? Count me as intrigued.

Darth Maul #1 is a lot of character building and plot set up. There’s a lot of time spent in Maul’s head and uhhh… spoilers: he’s kinda violent. At times, it felt like a little bit too much especially given that we don’t even hear about this padawan from the solicits until the last few pages but bigger fans of the character will likely really dig it. Personally, I loved getting to see Maul take on a rathtar. It’s a nice blending of the eras and besides, it’s not like Maul doesn’t have a fine tradition of taking on aliens who originally hail from much further down the timeline. One of the places where the issue fell short for me was with Palpatine. That’s not really a mark against the book and Cullen Bunn though. It’s more that I don’t think we’ll see anyone else write as great of a Palpatine as Charles Soule in our comics any time soon.

On the art front, the combination of Luke Ross and Nolan Woodard is a good one for this book. Their combined style fits nicely with the vibe Bunn seems to be going for. I definitely prefer to this to Ross’s prior Star Wars work on The Force Awakens comic adaptation.

As a side note, Marvel has continued its tradition of giving us a little something extra to go with the first issues and honestly, I could read an entire graphic novel that’s nothing but cute little droids getting into trouble if Chris Eliopoulos and Jordie Bellaire write and draw it.

But back to the main Maul story… is it worth it? If you’re a fan of the character than definitely yes it is. While I liked the issue well enough, I’m inclined to hold off from telling those more of the fence to run off and buy it just yet. Ask me again after the next issue.

Darth Maul #1: Cullen Bunn/Writer, Luke Ross/Artist, Nolan Woodard/Colorist, Joe Caramagnas/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Knights of the Old Replay: Daze of Hate through Vector

One of the fun things about doing this retrospective is that a creator just might pop his head up with some commentary. Last post, I mentioned that Days of Fear/Nights of Anger felt like one big story. Turns out that they are! Those two arcs plus the first two I’m covering in this post are just all one big story split into bite sized chunks for the retailers. (Thank you to the esteemed John Jackson Miller for this insight!) It’s a shame that the entire story couldn’t be in the same omnibus but that’s the way of comics, I suppose.

Daze of Hate
Script by John Jackson Miller, Art by Bong Dazo, Colors by Michael Atiyeh, Lettering by Michael Heisler

I will not ship Alek and Jarael I will not ship Alek and Jarael I will not ship Alek and Jarael I will not— damnit. Here’s the thing: I’m fairly sure that I didn’t have any strong, ship feelings about these two when I first read this comic. I don’t know what changed now unless JJM has some magical ability to go back in time after making me fall for Hera/Kanan to make me fall for another ship? (I used to live such a happy ship-free life, kids.)

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Review: Han Solo #5

An issue like this one never fails to be bittersweet. On the one hand, it’s a very satisfying ending to a great book. On the other hand… the book’s ending. That’s the downside to these miniseries. I’d love to see books like this, Princess Leia, and Obi-Wan & Anakin go on for arc after arc but instead we only get 5 issues. Treasure them while you can.

This book is just so damn pretty. I suspect that some Star Wars fans who don’t have as strong of a comics background don’t know how damn lucky we are to get Mark Brooks doing interiors on this book and Sonia Oback’s colors just make the pages pop ever more. This book was a goddamn gift for the artwork alone and Marjorie Liu’s script makes it doubly so. Why hasn’t this book get more appreciation than it does?

So many things about this book have just been so darn fun. It was definitely a character study for Han but plot line about the mission for the Rebel Alliance and the race were definitely enjoyable to follow. I especially loved how the race announcer narrated this issue. The stakes were high (in more ways than one) but that never stopped this book from being fun.

As mentioned in previous issue review, this was definitely an uncertain Han Solo that we’d never really seen before and Liu deftly takes him more towards the certainty that we’re used to. It’s such a natural progression. The “mirror made up of others” line may have been a bit on the nose but Han might be the one character for whom it really works. Sometimes you just need to smack that boy over the head with an idea for him to get it especially when there’s a rebellion or a woman involved. Speaking of ladies, the final page with him and Leia is so note perfect that it hurts.

If you’ve been holding off on this book for the final verdict, wait no longer. Han Solo is definitely cleared for take off. Pick up the floppies, pick up the trades in a few months; whichever. But definitely make sure you read this book.

Han Solo #5: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback & Matt Milla/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Broaden Your Diversity Horizons

Insisting that only women/creators of color should write women/characters of color is part of the problem.

It’s an inevitable protestation brought up every time a comic company announces a new comic about a character that’s not a white guy. Most recently, the internet is all aflutter because Brian Bendis (who happens to be white) is writing Riri Williams, the black teenage girl who’s going to be the new Iron Man. Some parts of the internet want to see a WOC on the book instead. While I can most certainly appreciate the sentiment behind the movement, I find it to be a little more harmful than helpful for two very big reasons.

First, it sends the message that only women should write women or POCs should write POCs. For some books, having creators who have had the same life experiences as the characters is absolutely invaluable. Very few people would disagree that the life experiences of Sana Amanat and G. Willow Wilson do not play a fundamental role in creating Kamala Khan. Ta-Nehisi Coates also brings a unique point of view to his Black Panther book. So yes, there are absolutely some books that require a creative team with that intimate knowledge and strongly benefit from it. Every book doesn’t. In a way, it’s almost insulting to those everyone involved. Writers are supposed to have imaginations. If they only wrote about things they specifically experienced, fiction would be terribly boring.

Second, I truly believe that it actively discourages white male writers from creating characters of color. Bendis and artist Stefano Caselli get credit for creating Riri and hey, this is hardly the first time Bendis has created a young black character to take over the mantel of a white guy… Miles Morales anyone? Objectively speaking, why would someone want to create a diverse character when they know they’re just going to be faced with backlash for wanting to write a character they’ve made? I’m not saying we need to give white guys a gold star for making diverse characters but maybe a little credit or a nod of appreciation wouldn’t hurt.

The solution isn’t to stop asking for more women and minorities to get jobs creating comics (and everything else) we love so much. Instead, the solution is to ask for it more broadly and praise it when it happens. We should celebrate the work of Marjorie Liu on Han Solo and Becky Cloonan on Punisher a hell of a lot more than we do. To me, assignments like those are more groundbreaking than if Liu had been asked to write a Rey book or Cloonan a Wasp book (although I would not object to either of those.) Start bringing up the names of female and POC creators on your wish lists for books like Batman and Wolverine and not just Wonder Woman and Spider-Woman. And yes. I hope that in fifteen years, there’s going to be a young black woman writing the adventures of Riri because the character inspired her as a kid.

But (and this is a big but) let’s not pigeonhole or discourage writers from writing diverse experiences. We should absolutely continue to make our voices be heard in asking for more diversity amongst both the characters and creators. Change happens because people speak up and show that there is a demand for a certain type of story or character. Hold companies accountable but do so broadly and not just in a narrow lane.

Interview: Raina Telgemeier

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SmileI got the chance to record a quick interview with Raina Telgemeier, Eisner award-winning creator of the all-ages graphic novels Smile, Sisters, and Drama, as well as the the Babysitters Club graphic novel adaptations, at the Alaska Robotics Mini-Con in Juneau this April. Listen to us discuss webcomics, birds, and the wonderfulness of Rey.

You can find Raina Telgemeier at her website here and on twitter as @goraina. Her next graphic novel, Ghosts, will be available for purchase September 13 wherever fine books are sold.