Almost forty years ago, Lando Calrissian appeared in Star Wars, immediately becoming, as Donald Glover recently put it, “the only black guy in the universe.” Since then, a number of actors of color have joined Billy Dee Williams’s iconic character in the galaxy far, far away, including Temuera Morrison and Daniel Logan of the prequel trilogy, the incredibly diverse ensemble cast of 2016’s Rogue One, three of the starring actors in the sequel trilogy, and of course, Glover himself as young Lando in the upcoming Solo, for which he will be joined by Thandie Newton. As we celebrate these victories, however, it quickly becomes clear that Lucasfilm has only recently fielded casts that don’t merely feature token actors of color; white, male actors still make up the vast majority of the Star Wars universe. And behind the camera, those who have helmed the franchise’s films are overwhelmingly white and male.
Billy Dee Williams broke new ground as Lando Calrissian.
It has almost become a truism that to tell diverse stories, the creators of those stories must be diverse, too–but it’s a concept that’s proven by fact. One needs only to look at recent films directed by people of color to find proof that these movies feature more diverse casts: Creed, Life of Pi, and the upcoming A Wrinkle in Time. Directors of color find it imperative to tell stories starring people who look like them in a way that white directors simply don’t. If white creators found diversity at the forefront of their minds, then we would have had racial parity on screen a long time ago. Continue reading
Representation matters.
Second, I truly believe that it actively discourages white male writers from creating characters of color. Bendis and artist Stefano Caselli get credit for creating Riri and hey, this is hardly the first time Bendis has created a young black character to take over the mantel of a white guy… Miles Morales anyone? Objectively speaking, why would someone want to create a diverse character when they know they’re just going to be faced with backlash for wanting to write a character they’ve made? I’m not saying we need to give white guys a gold star for making diverse characters but maybe a little credit or a nod of appreciation wouldn’t hurt.
Another year, another awesome Awesome Con. As promised, this still relatively young convention headed by Ben Penrod pulled together another great show that left attendees happy and content by the end of Sunday. When you look around the hall, it’s hard to remember that Awesome Con is a mere three years old and that it was mostly confined to a hall perhaps a quarter of the size of its current location in its inaugural year in 2013. While it’s true that DC was thirsty for a convention just like this, what has really helped Awesome Con succeed is its willingness to listen, learn, and correct its mistakes. Last year, the biggest complaint was over registration. They were prepared this year and no one was forced to wait outside in the heat thanks to a combination of changing their precise location within the convention center, mailing out 3-day badges to those who preordered in time, and having a huge area dedicated to registration and entering. Panel lines also appeared to be managed much better this year with some rooms actually being dedicated line spaces for the larger rooms.
