It’s an end of an era today as Star Wars #37 is Jason Aaron’s last issue of Star Wars. In honor of the occasion, let’s take a moment to appreciate what a fantastic job he’s done with the book. While I haven’t loved every thing he’s done with the book, he’s written 37 incredibly solid issues of story and I’m sad to see him go especially after this last bunch of issues.

As for Star Wars #37 itself… Sergeant Kreel is not a very happy man and he’s not going to be anything even remotely close to happy until he smashes the Rebels into tiny bits for the glory of the Empire. This… is not good for our heroes or the Rebel Alliance. In a way, this issue is the most surprising way that Aaron could have wrapped up his run because he doesn’t end it like one might expect. It’s open enough to make me wonder if Kieron Gillen might pick up some of these plot elements in his run. Part of what I like about this issue though is that it does surprise me while also giving us a fantastic moment for the Skywalker twins. It’s a moment that feels like both a resolute ending and beginning.

The true highlight of this issue though is the back up story, “The Sand Will Provide” by Jason Aaron and Dash Aaron with art by Andrea Sorrentino. It’s one last hurrah for the excellently executed one-shot stories from Obi-Wan’s journey and is the simple tale of a young tusken raider. It’s a simple story yet beautiful within that simplicity. It’s also oddly sweet and feels like the perfect note for Jason Aaron to end his run on. And honestly, what better note could we end this review on than to praise the issue’s last few pages?

Star Wars #37: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor

Revenge of the Astromech is a really good title. That should be said right off the bat.

Star Wars #36 is the sort of issue that really leans into what Attack of the Clones did with Artoo and shows him in a very heroic, get things done light and I love it. Does it perhaps involve a little suspension of disbelief? Sure but does that detract from my enjoyment? Nope. In a way, this felt like the best sort of payment possible for having to wait so gosh darn long to find out what happened to poor Threepio. Give me the absurd and ridiculous in Star Wars for reasons like this and I shall happily embrace it!

I think I finally figured out what’s been driving me insane about Salvador Larroca’s art since he joined the main Star Wars book. I (for the most part) enjoyed his art of Darth Vader but it hasn’t felt the same here. What I can’t stand is the contrast between his usual art (as seen in Darth Vader and in much of this issue) and the photorealistic faces. They clash when they’re used together and honestly, I’m not a fan of the photorealistic faces to start with. The book looks way nicer when it’s just Artoo rolling through the Star Destroyer causing mayhem than when it also involved some random officer’s strangely detailed face.

Star Wars #36 feels like a return to the norm after two one-off issues but given that it features Artoo Detoo the Hero and the return to a dangling plot line? I’m 100% okay with that.

Star Wars #36: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor

Every time I remember that Jason Aaron is leaving this book soon, I get majorly bummed out lately even though I’m simultaneously excited to see what Kieron Gillen has in store. The reason? These delightful, self-contained issues we’ve been getting. As teased at the end of the last issue, it’s Han and Chewie’s time to shine and they’ve been tasked by Mon Mothma with smuggling Grakkus the Hutt through Imperial space. (If your memory needs jogging, he’s the hutt with abs who had the lightsaber collection. And that was a sentence I never thought I’d type.)

While maybe we’ve heard the “ugh I don’t know why I’m still here” internal monologue from Han Solo a few too many times already, that doesn’t stop this issue from being fun. More than once, I could hear Harrison Ford’s voice in my head as I read some of the lines. That’s always a good sign. Han and Chewie definitely needed a good team up adventure (especially after Screaming Citadel) and this one delivers. It’s also nice to see him in a story without Leia or Luke for that matter. The princess might be part of the reason why he stuck around but getting a Han story without Leia is refreshing.

One of the neat things about the comics over the last eight months has been seeing all the little references and nods towards Rogue One pop up. Star Wars #35 is no exception. Not only does General Draven get a name check but Mon Mothma is drawn more closely depicting Genevieve O’Reilly than Caroline Blakiston. It makes sense as to why but it’s definitely still something neat to see happening.

The spotlight issues continue to be a spotlight for Jason Aaron’s run on Star Wars and if they continue in this fashion, he’ll be leaving the book on a very high note.

Star Wars #35: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor

It’s not a secret that I wasn’t a fan of the Yoda arc because it just draaaaaagged and made me want to take a nap. It made Screaming Citadel a very welcome reprieve. That said, I wasn’t sure what to expect from these follow up issues. Were we going to get something more like the Yoda arc or more like the far better Nar Shaddaa one? Turns out, the answer was neither and that’s a good thing.

The anthology style is so far really working for Jason Aaron and the main Star Wars book. It’s something that I would have loved to see them continue (with different artists) if Aaron wasn’t going to be handing the reins over to Gillen soon. This go-round, we get a team up between Sana and Lando who has been tragically mostly absent from Star Wars in canon thus far. While we haven’t seen the Han Solo film yet, it makes sense Sana and Lando would have history too. She’s got an insane heist to pull and he’s got the contacts she needs to help pull it off. What could possibly go wrong?

Turns out almost nothing because this story is great. (The art not so much but you’ve already heard my laments about how Larroca draws Sana.) Don’t be fooled: while this is billed as a team up, it’s definitely a Sana story. Lando’s just there to help out because Sana is several steps ahead almost the entire time. It’s awesome getting to see a capable lady kick some ass.

Star Wars #34 is one of those issues that’s both worth picking up and that doesn’t require much prior knowledge of the series. Check it out if you’ve got the time.

Star Wars #34: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor

As far as self-contained stories go, Star Wars #33 is actually a really nice one even taking into account a painfully awkward looking panel of Luke Skywalker. The mission is supposed to be a routine one and it is until the Empire catches them and now Luke and Leia are stranded on an island on a planet within a nebula.

This issue was surprisingly more poignant than expected. At one point, Leia and Luke talk about how they’re both orphans in the galaxy now because of the Empire but they’re not alone. It’s within those same few pages where Leia mentions how sometimes, when she looks up at the stars, Alderaan is still there. As a reader, that bit felt particularly painful. One can only imagine how Leia must feel weeks, months, years after her entire planet was destroyed only to occasionally look up and still see it in the sky above.

Jason Aaron’s writing for this entire issue really is spot on. It’s a nice insight into both of the twins and really follows up on the friendship between them. Most people wouldn’t be able to handle being stranded like that for so many weeks. Plus? The level up in badass skills for Leia certainly doesn’t hurt.

In the wake of the less than great Yoda arc and the far more enjoyable Screaming Citadel story, Star Wars #33 serves as both a good place for new readers to jump on and as a nice way for existing readers to readapt to the usual feel of the series.

Star Wars #33: Jason Aaron/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Clayton Cowles/Letterer, Jordan D. White/Editor, Heather Antos/Assistant Editor