Review: Han Solo #3

It’s been a little while since the last issue but I’d say it was definitely worth the wait! I’ve been enjoying the book so far but Issue #3 is where it felt like Marjorie Liu and the rest of the team really kicked into another gear. Hot damn this book is fun!

Mark Brooks’ artwork on this book positively thrills me especially during the race scenes. It’s chaotic yet beautiful and something about it really speaks to me. In particular, the two-page spread during the 12-hour phase of the race was just downright awesome. He really is the perfect pick for this book and I’m happy to see more of his work.

Like I said before, this book is fun. To be fair, it’d be tricky for the book to not be fun given the premise.  It’s a space race. That said, it’s not all fun and games because the Empire is still involved. Loo Re Anno, one of the legendary racers, is the last of her kind and Liu doesn’t shy away from the implications of this. When one of the Imperials mentions that he has always wondered how “an entire race can dwindle down to one individual,” Loo Re Anno points out that “it usually requires help.” Damn. There’s more of a story here and I’d like to know it. And also for her to meet Zeb. They can be friends.

It’s worth mentioning again that Liu really gets Han Solo. I can almost hear Harrison Ford’s voice in my mind as I read some of his lines. This Han is the perfect step between the out-for-himself smuggler we first met in Mos Eisley and the guy who’s actually starting to believe in this whole Rebellion thing. He’s a character in flux and it’s fascinating to read. Kudos to everyone involved.

In case it wasn’t clear, Han Solo definitely gets a strong recommendation from me!

Han Solo #3: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Star Wars #22

Stealing a Star Destroyer is such a time honored tradition in the Star Wars Expanded Universe that it was only a matter of time before the comics tackle such a feat.  The plan makes for a fun issue that really lets Jason Aaron flex his space battle writing muscles and creates a nice little challenge for Jorge Molina.  If there’s one thing that’s always going to look better on the screen, it’s a space battle but Molina certainly puts in a valiant effort.  There are X-wings everywhere though, including the pilots of Red Squadron, and we’re definitely a fan of seeing more of that around here.  One can only hope that Aaron will eventually tackle the story in which the current Red Five decides to form a rogue squadron of his very own…

What Aaron’s Star Wars definitely seems committed to is doubling down on the arguing between Leia and Han.  While I’m always a fan of their bickering, I’m a tiny bit (just a very tiny bit) worried that getting too much of their arguing will make it harder for readers to find their Empire Strikes Back love story that much more believable.  But hey!  Then again, we’re still in the pretty early days after Yavin.  I don’t think we’ve gotten the actual timeline but I suspect we’re not even a year out yet.  There’s still plenty of time for the bickering to shift into bickering-flirting.  In the mean time, we get to see Luke play the mediator which is always entertaining.  I’m also pleased to see that Sana is a continuing presence in the Star Wars comics and isn’t just being used as a one-off for that “Han’s wife” reveal.  The galaxy could always use another capable lady especially when she’s a woman of color.

On the art front, I’m not a huge fan of how Jorge Molina does likenesses.  It’s not a big deal for the characters we don’t know but Leia, Han, and Luke all just look a liiiiittle bit off but then again, the Big Three haven’t been the easiest for artists to nail in Star Wars comics since, well, the start.

The Harbringer arc is off to a good start and I’m intrigued to see where they go with it!  (Stormtroopers.  I bet there will be an elite group of stormtroopers.)

Star Wars #22: Jason Aaron/Writer, Jorge Molina/Artist, Matt Milla/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Poe Dameron #5

Black Squadron keeps reminding me more and more of Wraith Squadron and that’s definitely a good thing. Sure they’re all damn good pilots but they’ve also got some mad skills down on the ground too. (Wait that didn’t come out right… oh you all know what I meant!)

What really resonated with me this issue was how we finally get more insight into Jessika Pava. This is the first time that I’ve really felt like we’ve gotten to know who she is beneath the surface. Charles Soule doesn’t give us much—just a page—but it’s enough to have a lasting impact on the reader. These are the sort of character moments and revelations that I was really looking forward to in this book. Hot-shot pilots are great but I can’t really love them until I know them.

Of course, you can’t have an X-Wing book without some loyal and capable droids there to back their pilots up! BB-8 may have to take the crown of King of the Droids away from Tonin. (Hey, I told you this book was giving me more and more Wraith vibes!)

It’s worth continuing to point out the elements that continue to rock issue after issue in this book. Phil Noto’s artwork is a continuous delight and Agent Terex is so good at being bad that you can’t help but love him. The only other comment I have to make is that while Issue #4 felt like there were a hundred things happening in those 20ish pages, this issue almost felt too short. That’s not necessarily a criticism, just an observation. It’s almost the nature of comics– they’ve got to keep you coming back for more each time!

As it continues through its second arc, Poe Dameron is definitely a comic you should be picking up every month.

Poe Dameron #4: Charles Soule/Writer, Phil Noto/Artist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Darth Vader #24

Darth Vader #24 goes by fast. And I mean really fast.

Look, there’s nothing that you can’t see coming in this issue. Or at least the general ideas of it. No wait, I take that back. The last page made me go “Oh snaaaaaaaaaaap” and then made me cranky that I don’t have Issue #25 in my hands right now. If you think I’m going to spoil that ending for you here though… boy oh boy are you looking at the wrong review.

One of the best things about Kieron Gillen’s work on this book has been how he hasn’t shied away from the Prequels. It’s news to no one that the Prequels are controversial and there is a subset of fans who enjoy yelling about how bad they are and how they should be ignored. Delightfully, Gillen does the opposite and godamn it could not be clearer that Darth Vader definitely used to be Anakin Skywalker and still is at his core. If he wasn’t, he wouldn’t still be haunted by the memories of Obi-Wan and Padmé. Despite those internal struggles, Darth Vader is still a force to be reckoned with. Cylo may have activated the kill switch in the suit but it is a gesture that is insignificant against the power of the Force.

There’s not much more to say here. Again, it’s a good issue that is a very fast read. Salvador Larroca does some neat stuff with a page full of lightsaber dueling but beside that… everything’s leading up to the final issue. Everything. How can we possibly wait patiently for that last issue when we know SO MUCH IS GOING TO GO DOWN?

Darth Vader #24: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Darth Vader #23

Do you know what I love about this Darth Vader book? Kieron Gillen never fails to surprise me. He doesn’t surprise me with how Vader always survives no matter what anyone throws at him. Obviously that’s a given. No, how Gillen surprises me is with what he throws at Vader and that’s truly the joy of this book. (Okay, it’s the second biggest joy of the book. Obviously Aphra and the Murder Bots are the biggest joy.) What’s that saying? It’s not about the destination but rather the journey? It’s perhaps the most apt way I can think of to describe this current Darth Vader arc. We as readers know that Cylo’s attempts to stop Vader are going to fail no matter how many arrogant idiots he throws at him but the payoff… oh man the payoff.

If the ending of this issue doesn’t get people talking, I don’t know what will.

One of the things I’ll definitely miss about this book is when Gillen figuratively steps back and lets Larroca have at it for an entire page or, even better, a full spread. I could stare at the ships and beautifully colored space background pages for ages. Bonus points if the aforementioned page also includes Vader because daaaaaaang.

Aphra Watch 2016: Got to breath easy for one (1) issue

Do you really need to ask if this book gets a strong recommendation from me?

Darth Vader #23: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Star Wars #21

The main Star Wars book never shines more than when Jason Aaron just goes for it and that’s exactly what he does here with the kick off of the much awaited stormtrooper arc.  Making his return is Sergeant Kreel from Luke’s misadventure on Nar Shaddaa except now he’s in command of Scar Squad, a group of very deadly Special Commando Advanced Recon stormtroopers.  (Bless comic books and their acronyms.)

If you enjoyed the Republic Commando books from Legends, you’ll almost definitely like this issue.  They may not be a bunch of Mandalorian raised clones but they are a fairly tight-knit band of extremely deadly men (and possibly women.)  The Rebels never stood a chance.  Aaron continues the work laid by other Star Wars creators and gives a more human face to the Empire.  Between this issue and books like Lost Stars, it’s not hard to understand why someone would be such a fervent believer in the Empire.  It’s stability, it’s an opportunity.  The Rebel Alliance is either a bunch of freedom fighters or a terrorist organization… all depending on your point of view.

Jorge Molina gets to have some fun on the art front and draw a bunch of different stormtrooper variations.  Visually, it’s a neat shorthand to show how elite Scar Squad is– not everyone gets to have their own unique kits.  The Molina/Milla team works very nicely for this book and fits right in with the other artists they’ve had on the different arcs so far.  And shout out to David Aja for the rad cover!  I’ve missed his work on Hawkeye so this is a nice little gem.

Been holding off on diving into the Star Wars comics?  Star Wars #21 is the perfect issue to jump in with!

Star Wars #21: Jason Aaron/Writer, Jorge Molina/Artist, Matt Milla/Colorist, Chris Eliopoulos/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Poe Dameron #4

The egg is hatched and now Black Squadron is in prison.  Yep, that about sums it up.

It’s really neat how Marvel is tying not just their same-era books together but also their Original and Sequel Trilogy era books.  First seen back in the main Star Wars book, Grakkus the Hutt makes his return in a storyline that feels very organic while also being a wink to those of us who read all the books.

There’s a lot that goes on in this issue–so much that it feels like it was double sized.  The prison arc gets set up and started and I’m enjoying it for so many reasons so far but what really struck me were the squadron focused bits.  One of the appeals of the Poe Dameron book was how we’d get to know the pilots from The Force Awakens a little better.  Pilots are fan favorites not just because they’re flashy flyboys and flygirls but because of how creators flesh them out further in the expanded universe.  Jess, Snap, and Karé are already starting to feel more real even though we’ve only seen them in a few issues.  Heck, I’m already on board with Snap/Karé as a ship!  Marvel really couldn’t have picked a better group of characters to focus on in this era.

On the art front… yeah look: you already know how I feel about Phil Noto’s work.  I don’t need to repeat myself: he’s fantastic.  But ohhhh baby.  That cover for next issue.  *fans self*  Poe, I’m gonna need you to keep that smolder under control.

Poe Dameron #4: Charles Soule/Writer, Phil Noto/Artist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Han Solo #2

Come on: you didn’t really think that this secret Rebel Alliance mission was just going to involve a high stakes space race, did you? Of course, the Dragon Void race is no mere race. Anakin Skywalker may have won the Boonta but I think even he would have a little trouble here. Marjorie Liu is most certainly committed to making sure that we get more than just the cocky smuggler side of Han Solo; something that more than a few writers have forgotten to do. And sure: Han is definitely cocky and brash but he’s also a pretty smart guy as evidenced by how he figured out the trick to the race’s opening—something that only one other pilot realized.

Something I’m definitely enjoying about this comic is how it’s helping broaden the universe.  Now we’re getting to see folks who don’t quite fall into the Underworld categorization but they’re still from the less civilized part of the galaxy and they’re really excited about this race.  The spectators have such a great ‘normal citizen’ feel and just like so many normal citizens in our world, they want to get autographs!  In the grand scheme of the story, it’s not a very big thing but it’s something that really stuck out to me nonetheless.

Mark Brooks (with some help from Sonia Obark’s colors) continues to be a delight on art. The highlights from this issue would definitely be the costume design for a female Falleen and the more humorous Chewbacca facial expressions.  Chewie can be a tough cookie to crack when it comes to artist renditions but I’m definitely enjoying Brooks’ take.

Han Solo continues to be a really fun book and I can’t wait to see where the Imperial entanglements take us in Issue #3.

Han Solo #2: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Darth Vader #22

Aphra Watch 2016: Still not dead. Also still smarter than you.

Darth Vader #22 picks up right where Issue #21 left off: with Vader facing off against a cyberanimate rancor. Oh and it all happens on a whale-ship. Honestly, that tells you everything you should need to know about this book because Kieron Gillen and Salvador Larroca make some crazy magic happen. Science is nothing compared to the power of the Force and the force that is Darth Vader.

Cylo, on the other hand, is proving more resourceful and perhaps a little bit smarter than I’d given him credit for. He’s making very strong forward moves in the ‘take down Emperor and Vader’ direction even if we all know it won’t end well. It’s just a matter of how many other people he can take with him.

In a continuing ode to Doctor Aphra… we may not get very much of her in this issue but what we do get reinforces that she’s still alive (despite working for Vader) because of how damn smart she is and how fast she can think on her feet. Whether it pans out remains to be seen but it’s incredibly awesome to see such a capable woman not just wait around to be rescued… she does something about it.

As a part of the aptly named End of Games arc, Darth Vader #22 continues to raise the stakes and will keep readers on the edge of their seat as we march towards the end of this exciting book.

Darth Vader #22: Kieron Gillen/Writer, Salvador Larroca/Artist, Edgar Delgado/Colorist, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor

Review: Han Solo #1

han solo coverA lot of people are kvetching over Han Solo getting a limited series comic book because OH NO he’s already getting an origin film. Those people should hush for a moment and read a very fun issue of Star Wars comics called Han Solo #1.

As our first female writer for this new batch of Star Wars comics, expectations were (unfairly) going to be high for Marjorie Liu but she rises to the challenge and delivers the set up for an all around fun story. More than any of the other books so far, this feels like a Star Wars book. A lot of that has to do with the fantastic artwork by Mark Brooks with an abundance of alien life forms in the background of every cantina scene. Every limited series has had its own unique vibe and I am digging this one so far.

This is a Han Solo who’s not quite feeling himself. He’s being overly careful when it comes to smuggling and he takes a dangerous mission when a Princess asks. We’re used to seeing this cocky and confident captain so it’s refreshing to see one who second-guesses himself even a little bit. What makes this book such a joy though is that it’s still distinctly Han Solo. Harrison Ford’s voice popped into my head at more than a few lines. Liu also has a good handle on Leia. One of the more delightful scenes involves Leia and Cracken arguing like Han’s not even in the room and it all just feels right.

On the art front, it’s nice to see another female colorist join the Star Wars family and it’s equally nice to see some Mark Brooks interiors especially after so many of his great covers on the Kanan book. He can convey a lot about the characters with just a few panels an facial expressions and his work really helps bring the book together.

I think it’s saying something that my biggest gripe with this book is that Airen Cracken has graying brown hair instead of graying red hair. Do you really need me to tell you that this was a great start to another series and to go pick the book up?

Han Solo #1: Marjorie Liu/Writer, Mark Brooks/Artist, Sonia Oback/Colors, Joe Caramagna/Letterer, Jordan White/Editor, Heather Antos/Assistant Editor