Latest Batch of ‘EG to Warfare’ Endnotes Tackles Imperialization and Military Academies

Another Monday, another set of notes from Jason Fry’s brilliant Essential Guide to Warfare.

The Academy System: Another fun section to tear into, and a place where I definitely wanted to roll up my sleeves and get dirty in hopes of straightening out some continuity snarls. I hope that the account of the Academy system here amounts to a “good” retcon. Yes, the nebulous nature of the intake system and repeated transfers is designed to paper over various contradictions. But it’s also meant to be interesting in its own right – you can imagine cadets lying awake agonizing over where they’ll be sent next, exchanging baroque conspiracy theories that purport to explain everything, and grumbling about undeserving recipients of direct appointments. The Imperial Exploration Academy is new, as is the Merchant Galactic. (Though the latter has real-world antecedents.)

We’ll get another look into the Academy system when we come to Han Solo’s career.

There’s a whole bunch of early Empire notes in this latest batch, so if that’s your thing, head on over to Jason Fry’s Tumblr.

Hunger Games/Star Wars Mashup Tee is an Instant Purchase

I fully admit it, I’ve got a thing for nerdy t-shirts. Especially nerdy t-shirts that have crossover fandom appeal. I’ve got Woot’s lovely DeLorean and TARDIS fender bender shirt, the It’s a (ghost)Trap tee. I’ve even got that Cheers/Star Wars mashup. Suffice to say, when Nanci spotted today’s crossover gem, it was an instant purchase. Ript Apparel put together something I couldn’t say no to.

A Hunger Games/Star Wars mashup? Yeah, that’s a purchase. And you should get one too. The Rebel Games tee is available today only for $10.

Her Universe Teases New Gear For Girls

Along with the new gear released on May 4, Her Universe will be selling brand new merchandise at Star Wars Weekends – for girls! I’ve long since lamented the lack of Star Wars clothing available for little girls (the only option was to shop in the boys’ sections of stores like Target and Wal Mart), but Her Universe is stepping up to the challenge with three new adorable offerings. The first is an Ahsoka-themed costume tunic, which will be great for Halloween and special events like Star Wars Weekends and Celebration VI. The other two shirts were designed by Star Wars artist Katie Cook and feature “Jedi-in-Training” Ahsoka (also available as a onesie!) and “Self-Rescuing Princess” Leia (which I might have to purchase for myself – luckily I can fit into girls’ XXL!).

Currently Her Universe offers two shirts for girls: the Ahsoka Chibi and Daddy’s Little Girl.

Star Wars Weekends begins May 18 and concludes June 10. I will be there every weekend to report on the festivities for the blog!

Chewie and Ackbar Confirmed for Celebration VI

The official site has details of more guests confirmed for Celebration VI. The headliner this time around is Chewbacca himself, Peter Mayhew. Other confirmations include:

Tim Rose: “It’s a Trap!” The performer behind Admiral Ackbar, Tim Rose, will be at Celebration VI. The puppeteer also performed the iconic Sy Snoodles and Salacious Crumb.

Trevor Butterfield: Butterfield performed a variety of roles, including an Imperial Officer and Lt. Blount in Return of the Jedi.

Nick Maley: A make-up artist in The Empire Strikes Back, Maley was involved with Stuart Freeborn in the creation of Yoda.

Paul Springer: Mime artist and puppeteer, Springer portrayed a Gamorrean guard and the character Ree Yees in Return of the Jedi.

Mayhew joins Carrie Fisher and Jeremy Bulloch as the early confirmations for the convention to celebrate all things Star Wars. I do hope they’ll let Peter and Carrie do a panel together. One of the highlights at last year’s Dragon*Con was watching the two of them riff off each other for an hour.

 

Star Wars Books Teases What ‘New Jedi Order’ Might Have Been

Pablo Hidalgo is at work on an all new Essential Reader’s Companion, but he had the time to send an interesting behind the scenes note to Star Wars Books regarding an early premise for the New Jedi Order series.

The story arc was to very closely hew to the myth structure of the Hero’s Journey as outlined by Joseph Campbell, a huge influence on the creation of the Star Wars cinematic story. With that as its basic framework, the plot underwent much evolution and exploration. Its earliest descriptions had Luke Skywalker sending the three Solo children on an epic quest, upon which they encounter a new female character from the invading species sent to infiltrate the galaxy. This unnamed female corrupts Anakin, nearly turning him to the dark side, but she falls in love with him and Anakin instead redeems her. In a fit of intense sibling rivalry, Jacen and Jaina turn on Anakin, and in the resulting conflict, Jacen dies.

You know. I think I might have preferred this setup to what we got. The undercurrent of redemption plays much more true to the philosophy and tone of Star Wars, and this would have been a clear passing of the torch to the next generation.

Via Star Wars Books

Pete Morrison Breaks Down The EU Gender Numbers

There’s been a whole lot said in the last week or so about the need for better developed female characters in Star Wars and the Expanded universe. Over at Lightsaber Rattling, Pete Morrison decided to look at EU novels since 2006 and crunch some numbers.

Some figures Pete unearthed:

  • Male Character Per Novel Average: 9.9
  • Female Character Per Novel Average: 5.13
  • Ratio of Male to Female Characters: 1.93 to 1.

It’s important to note that this isn’t a look at the quality of female characters written into these books (which is another topic entirely), just the quantity. However, it seems that even on the strict numbers front, fans asking for more to be done with female characters have a point. Female characters are nearly outnumbered 2-to-1 in the Expanded Universe since 2006.

In addition to breaking these numbers down further by year, Pete has also written a great editorial to go along with this piece. Go to the link above and read through his excellent post.

Why Do We Love Star Wars?

There’s a discussion going on in the Club Jade comments (as well as on Twitter) regarding why people read Star Wars books. I took exception to a comment that people don’t read Star Wars books for characterization, but rather for action, because that’s exactly why I started reading the EU. I was 11 years old and had just watched the Original Trilogy. I loved Luke Skywalker (actually all the characters, but Luke especially) and wanted to know what happened to them after the movies. Thankfully, right around that time Timothy Zahn’s Thrawn Trilogy was released. I learned what happened to these characters I loved, as well as got to know new characters, who are still some of my favorites (Mara and Karrde).

As far as action is concerned, I can take it or leave it. My judgment usually falls upon whether or not the action scene did something rather than just drive the plot forward. I’m thinking of the first scene of Rogue Squadron, introducing Corran Horn; any of the action scenes involving Luke in Shadows of Mindor; or the fight with C’baoth in The Last Command,  to name a few. Mindless action in films and television don’t bother me as much, because it’s pretty (or it can be). But in a book, there is nothing that makes me fall asleep faster than action with no plot or character development included.

There’s nothing wrong with lightsaber fights, starfighter dogfights, or chase sequences. I love those, if done correctly. But even in the films, Star Wars has never been just about action. Let’s take a look at the film that started it all,  A New Hope.

  • Starts out with a bang, as Darth Vader captures Princess Leia. The plot is driven forward, but we meet Vader, Leia, the droids, and get a sense of exactly who they are.
  • We move to Tatooine. More character development with the droids. Eventually we come upon the Lars homestead. Basically, this sequence is entirely character development, ending with the death of the Larses and Luke’s decision to go with Obi-Wan to Alderaan.
  • The Cantina. Introduction of Han and Chewie, establishment of conflict with Han and Jabba. The plot moves forward again and we get off planet.
  • Escape from Tatooine. Finally, another action sequence, during which we learn more about Han’s personality and Luke’s “aww, shucks” farm boy nature.
  • Destruction of Alderaan. Is this considered an action sequence? To me, it’s all character development and plot advancement.
  • The Death Star. The action eventually begins, after learning more about Obi-Wan (“there are alternatives to fighting”), Luke (willing to rescue the Princess at any cost), and Han (he just wants a reward). Leia is rescued, and then grabs a gun and decides to take matters into her own hands. Obi-Wan and Vader face each other again. Even without having seen the prequels, we knew that there was something between those two. In the end, Obi-Wan sacrifices himself so Luke and the others can get away.
  • Tie Fighter Attack. This is another pure action sequence, but it’s fun! And it works on film, with clever lines (“Great, kid! Don’t get cocky!” “You hear me, baby? Hold together.”), great music, and eye-popping effects.
  • Arrival at Yavin. More character development and plot advancement. We see Luke jumping headfirst into the Rebellion and Han wanting to get out of there. Leia pushes aside her sorrow to focus on being a leader of the Rebellion.
  • The Battle of Yavin. The climax of the film is one long action sequence, but how boring would it be if there was no dialogue, no music, no concerned looks as the camera flashes to Leia, no cheering when Han Solo returns to blast the TIE fighters off Luke’s tail, no determined expressions as Luke turns off his targeting computer to “use the Force”? In this sequence, we learn that there’s more to Han than money, Luke has what it takes to be a Jedi, Leia is a leader, R2 is the true hero of the saga, and Vader is going to be angry come the next movie!
  • While A New Hope doesn’t have any explicit romance, the hints are there with Han and Leia, and possibly Luke and Leia (yes, ew, but they didn’t know, give them a break). But besides romance between characters, the film itself could be classified as romantic in the broadest sense of the word. I mean, you have Luke getting a kiss for luck, then swinging across the Death Star chasm with John Williams music blaring in the background. If that’s not “romantic”, I don’t know what is!

So there you have it. Does Star Wars, as a franchise, contain action elements? Yes. Is it an action franchise? I say no. There are elements of action, drama, romance, and humor, combined with a ton of character development. In my opinion, the best Expanded Universe novels are the ones that echo this tone. Too much action, and you bore me. Not enough , and it’s not exciting. And if your characters don’t drive the story (rather than characters acting stupid to fit the plot), then I’m not interested at all.

What do you say?

Trope Tuesday: Darker and Edgier

It’s Tuesday, which means I’m about to bludgeon you over the head with another entry from that great timesink in the cloud, TV Tropes. This week, we’re examining one we like to call Darker and Edgier.

Tone Shift that seeks to make a work of fiction “more adult”. Usually, this is practically interpreted as “add more sexprofanityheavy violence, and controversial content”.

This trope usually means that a show will attempt to shift towards seriousnesscynicism and grit. In theory, archetypes which we are usually accustomed to acting in a more noble setting will have to act in one where they must think and act grimly in order to make progress, thus forcing re-examination of the tropes involved and making a different sort of character. In practice, though, writers often are too lazy to make use of what most of those words mean, and ending up randomly “spicing up” a work with gratuitous gore, cursing, and sex. See Not A Deconstruction

When a show uses this trope as a tagline, expect anything that can go wrong will go wrong, the setting to be a World Half Emptyeveryone to be bastardslots of unpleasant things happen to the characters or backstories giving the characters a particular issue they can spend time angsting about.

As we can expect, this is fairly easy to screw up and poor use of these tropes can just result in Darkness-Induced Audience Apathy and Narm instead.

Thankfully, the Expanded Universe hasn’t fallen victim to this trope. I mean, it’s not like fans are keeping a running tally of how many major characters get killed, abandoned the tone and philosophy of the source material, or shifted the villains from tactical geniuses to more trite Eldritch Abominations or any…

Erm…

Cat Taber Confirmed for Star Wars Weekends

Rancho Obi Wan publicist and all around awesome person Consetta Parker announced another guest for Star Wars Weekends, Clone Wars voice actor Cat Taber.

If you’re in the Orlando area that weekend, you can catch Taber and other guests at Disney’s Hollywood Studios.

Sixth Batch of ‘EG to Warfare’ Endnotes

Author Jason Fry released another batch of Essential Guide to Warfare endnotes on Monday. This time around he’s covering the Separatists and Order 66.

Order 66: The Road to Empire: Lucasfilm passed on a very cool diagram drawn by Dave Filoni of the galaxy’s powers and institutions and their role in Sidious’s plot; it was extremely helpful in seeing this section clearly. Making Kol Skywalker the narrator seemed like a natural move, helping tie the Legacy era into the more-familiar era here and adding a poignant note to the story of the Skywalker clan.

Finally, I like the point that Sidious was telling the truth when he accused the Jedi of plotting against him, trying to kill him and scheming to take over the Senate. He’s leaving out some key details — such as, oh, being a Sith Lord — but he isn’t lying. The best plots depend not on lies, but on manipulating your opponent to do what he’d rather not.

For more tidbits from this batch, head on over to Jason Fry’s Tumblr.