The Call introduces the new best creatures to inhabit the GFFA: the Purrgil, strange space whale-cephalopods that interrupt the Ghost crew’s mission to steal fuel that is meant for the Empire, fuel that is desperately needed. 

Low on fuel, Hera is forced to redirect any non-essential systems, including heat and the lights. This gives the ship a very enclosed and almost claustrophobic atmosphere throughout the episode, as well as some pretty high stakes: they fail this mission, and the Ghost may never leave the ground again. The entire episode is quite dark aesthetically, not being set on any planets, but the overall tone is of hope and wonder.

Something that Rebels can do well—and The Clone Wars did well—is expand the universe in more mystical ways because of the animated medium. The Call shows how this can be done well, developing the ancient mythology of Star Wars through the Purrgil and their connection to hyperspace travel and the origin of hyperdrives. Star Wars has such an old galaxy that spans a few millennia, that any glimpses into the way things came to be are always quite interesting and refreshing. 

Not only does this episode expand on the lore of the universe, but it also broadens Ezra’s understanding of the Force and of his abilities, showing how much he has changed and grown since Rebels first began. No longer is he the bitter, selfish child on Lothal, but a calm, compassionate boy who has a deepening connection with nature and others around him, a connection that even Kanan doesn’t seem to have.

There’s something almost beautiful about seeing the way Ezra interacts with the Purrgil, and especially so when he finally understands what they’re doing. While the others are quick to either dismiss the Purrgil or consider them a threat, he wants to learn what causes them to act as they do and help them with their distress.

Hera and Ezra have rather subtle development in this episode, though Ezra’s is more obvious. Over the course of The Call, Hera seems to gain the sense of wonder that Ezra has to begin with, a kind of childlike curiosity at the mysteries of the world. Vanessa Marshall’s acting is, as always, amazing. Kanan, for some reason, seems even snarkier than usual, though he still stops to let Ezra explain himself.

The whole crew has grown a lot since the beginning, and it’s clearer in each episode how much they’ve learned to help each other. They banter, but they plainly care for each other, which is one of the strengths of the show. Though an episode not based around their ensemble so much, The Call still shows this in little ways.

Filled with great visuals and absolutely stunning shots, The Call is largely a mystical episode that ends on good feelings—something that is likely needed during this time in the season. Though it may not be a plot-heavy episode, it’s a gorgeous one that is a welcome moment of peace before the storm the rest of the season is bound to be. The Purrgil are a great addition to the GFFA, and this episode will probably make a good standalone in the same way many of the lore-expanding episodes of The Clone Wars did.

I am personally keen to see how Ezra develops further over the rest of the season, as The Call has definitely shown him as a wiser character than he once was. He’s a good kid, and he’s only getting better.